A multi-national trio of joyous noisemaking intents, the oddly named My Cruel Goro bring loud guitars and a boundless energy that’s potentially appealing to those who found themselves glued to the pages of Britain’s NME music rag back in the mid 90s. Perhaps not the guys who fervently followed the Blur vs Oasis spats, or those who patiently awaited news of the next Echobelly tour or were just casually looking to see if editorial policy meant that Morrissey was out of favour that week; more those readers and listeners who looked forward to new releases from Superchunk and were keenly following the progress of Ash’s recording career. Indeed, for those who still get a kick out of Ash’s noisier material – ‘Darkside Lightside’ etc – the three songs which make up this release should bring both a nostalgic charm and a sense of relief that a musical influence that’s some twenty years gone at the time of this release could still sound so vibrant.
Tag Archives: indie
HONEY MOON – Honey Moon EP
In terms of retro sounds, things rarely come any more assured and gorgeous than those of London based Honey Moon. On their debut EP, it’s as if the quartet have been sucked through a time tunnel back to 1967, to a time when fashion boutiques like Granny Takes a Trip were all the rage for the wealthy and hip in-crowd, a time when experimental music was still in its infancy, but more importantly, a time when music was becoming rather sophisticated. From there, they’ve learnt a great musical craft, transported it back to the present and layered it with a modern sheen and a few filters. The EP’s four tunes jangle with a lazy, blissed-out sense of cool; each of the players bringing something special to this short musical throwback.
RUM THIEF – Reach For The Weatherman EP
Although carrying a band name, much like Badly Drawn Boy, Rum Thief represents just one man. It’s the chosen moniker for singer-songwriter Jot Green, a Manchester-based multi-instrumentalist. He served as drummer in many local bands for over a decade, but eventually decided to strike out on his own. The first Rum Thief EP, ‘Clouded Mind’ attracted the attention of a few ears and Green set about forming a band for live shows. A couple of years on, the return of Rum Thief finds the performer sounding much more assured.
THE SHIP-TONES – Indie Reggae Revolution
Bringing together the disparate words of reggae and indie on their 2015 release ‘Indie Reggae Revolution’, Leeds ten piece collective The Ship-Tones bring the world some of the best mash-ups and re-imaginings since Mark Ronson dropped ‘Version’ to almost unanimous critical praise in 2007. Taking some classic sounding reggae sounds (mostly rooted in the 70s and 80s), the band rebuild a few familiar tunes from the ground up, with largely enjoyable results.
THE JACQUES – Artful Dodger EP
On their second EP, Bristol four-piece The Jacques display a carefree style on three numbers pulling the best elements from sixties beat music, seventies mod revival and nineties Britpop, often in a manner that reflects the youthful energy on the much-loved Supergrass debut ‘I Should Coco’. Any comparisons with that LP can be directly drawn from ‘This Is England’, a three minute high speed jangle that has a punky edge to the guitar work which sometimes shows glimmers of a Buzzcocks-ish style colliding with the kind of vigour that was so oft-present within Gaz Coombes’s overall approach. It’s clear from this particular number that we’re dealing with a particularly tight unit, it’s just a shame the band couldn’t hire themselves a vocalist. Finn O’Brien yelps through this number much in the manner of a pre-pubescent lad, his high pitched delivery akin to Alex Turner with a helium balloon threatening to kill any enjoyment at almost every turn.