Free download: The Peawees – ‘Cause You Don’t Know Me

After over two decades in the business, Italian garage rock/power pop band The Peawees have created more than a musical legacy.  Their 2018 LP ‘Moving Target’ provided an excellent insight into the band’s style – a great listen for anyone unfamiliar with the band – delivering great hook after great hook.  A tribute to Phil Spector on the suitably titled ‘Phil Spector’ provided an album highlight on a track big on retro riffs and even bigger on sleigh bells.

A new track, ‘You Don’t Know Me’ adds further to the band’s legacy with a three minute, guitar driven blaster that combines the more commercial feel of early 90s Social Distortion with the chorus thrills of Gaslight Anthem, all wrapped up in something that pays homage to ‘I Fought The Law’.

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GRAVE FOR SALE – Garajo EP

Romania mightn’t be the first place you’d go looking for surf rock sounds, but Grave For Sale are a band deeply immersed in the retro style. Their musical universe draws influence from greats like The Ventures, but also applies sounds that could be found at the heart of horror rock, often resulting in tunes that sound like a blend of fine garage based melodies and a deep cut from a Tarantino soundtrack.

Their second EP, 2019’s ‘Garajo’ is seriously great. It has an old spirit, but a really beefy sound and its five tracks cover a lot of ground, yet at the same time, sound like tunes that belong together. In short, it’s a superb twenty minute showcase for a band whom deserve a larger fan-base.

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Listen: Runhidefight present fierce garage rock on debut 7″

Active on the live circuit since Halloween 2017, Runhidefight is a relatively new band fronted by Geeta Simons (formerly of Swisher).  They’ve been championed by Rodney Bigenheimer and Sirius XM radio, been likened to Cheap Trick and The Sonics and they’re about to play live on the same bill as Justine and The Unclean.

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ALICE COOPER – Pretties For You

With the release of ‘Killer’ in 1971, Alice Cooper – the band, as they were then and not just the man – had perfected a blend of hard rock, art rock and glam. Tracks like ‘Under My Wheels’ had – and continue to have – a destructive brilliance, while even the more throwaway material like ‘You Drive Me Nervous’ provided a great, rough hewn alternative to the closest British equivalent in the Sweet. Somewhere between, the dark artistry of ‘Halo of Flies’ and ‘Dead Babies’ transpired the horror schlock of the band’s notorious live show into the kind of audio nightmares that irked America’s moral guardians.

Perfection doesn’t come over night of course, and it had taken the band three albums to really hit their stride. Their 1969 debut ‘Pretties For You’ – aside from one obvious exception – bears absolutely no resemblance to their not too distant hit making future. The Alice Cooper of the late 60s were a chaotic art band and most of the music that filled their debut (released on Frank Zappa’s Straight Records in the summer of that year) is certainly closer to Mothers of Invention than the glam/proto-metal that would gain them worldwide acclaim.

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THE STOOLS – Milk River Blues EP

Detroit three piece The Stools take the guts of garage rock and pull at them until some of the uglier elements of the genre are the dominant force. Despite its title and despite their location, you shouldn’t expect their 2018 cassette ‘Milk River Blues’ to be overly concerned with drawing from bluesy elements; nor should you approach them thinking that either the legacies of MC5 or The Stooges strongly apply. The Stools are slightly unhinged and are probably best approached with caution.

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