Australia’s Little River Band shouldn’t really need an introduction. Over the years, there have been shifting line ups and shifting sounds (1984’s ‘Playing To Win’ with John Farnham at the helm is somewhat of an AOR classic), but the much-lauded band have released music of a quality that has (probably) rightly seen them compared to the likes of The Doobie Brothers and Player. 2013’s ‘Cuts Like a Damond’ is an album with a fair amount riding on it… Not only does the band possess some gems within a quite extensive catalogue dating back to the mid-70s, but [excluding any re-recordings and albums with yuletide themes] it also breaks a recording hiatus of nine years.
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ARC ANGEL – Harlequins Of Light
With no record companies ever breathing down his neck for a follow up to a hit album, singer-songwriter Jeff Cannata has always been left to his own devices to make records in his own time. While this has meant that he hasn’t always been particularly prolific – with just a couple of albums per decade to his credit since the early 80s – you could never say his work was shoddy. Whenever an album with Cannata at the helm appears, you can be assured it’ll be filled with shiny, multi-layered goodness…and 2013’s ‘Harlequins of Light’, released under the Arc Angel moniker, is no exception.
WHITESNAKE – Made In Britain/The World Record
During Whitesnake’s 2013 co-headlining tour with Journey, the band were sloppy. Guitarists Reb Beach and Doug Aldrich bought a fair amount of weight to the live sound, but their constant gurning was a little embarrassing. Not as embarrassing as the vocal performance from David Coverdale, however, who – at least during their London show – failed to hit any big notes anywhere near in tune. During most of the ‘Forevermore’ songs he sounded like Cookie Monster, while on the squealier material (such as ‘Still of the Night’) hearing his cracked voice constantly struggling was just painful beyond belief. Thankfully, drummer Tommy Aldridge was an absolute powerhouse performer throughout; but despite previous claims made by Phil Collins that a bad band with a good drummer would still sound good, watching this once great band falter and fumble, you’d surely have to disagree.
KING KOBRA – King Kobra II
King Kobra’s 2011 comeback disc turned its back completely on the brilliant AOR sounds that filled the grooves of the band’s 1985 classic ‘Thrill of a Lifetime’, preferring instead to indulge in shameless musical chest-beating and overly macho clichés. Overall, it wasn’t as bad as 1988’s absolute stinker ‘King Kobra III’, but it represented a far cry from their best work. Although it is their sixth release, they’ve chosen to call their 2013 outing ‘King Kobra II’, since it clearly picks up the mantle where the self titled record ended, pairing the band’s founding members with ex-Rough Cutt vocalist Paul Shortino for more leather-based party rock anthems.
MAGNUS KARLSSON – Free Fall
Swedish guitarist Magnus Karlsson will be familiar to some rock fans as a collaborator on Jorn Lande and Russell Allen’s trilogy of albums, having lent some meaty musical chops to the works of those powerhouse vocalists. ‘Free Fall’ – Karlsson’s solo debut – follows in the melodic power metal tradition, with a roll call of impressive vocal talents helping to breathe life into his material, as well as some killer lead guitar work throughout.