FAKE SHARK REAL ZOMBIE – Liar EP

FSRZWith a name that quickly conjures up feelings of novelty, of lightweight emo trash and of genuine disposability, Vancouver’s Fake Shark – Real Zombie! have, rather unwittingly, saddled themselves with a moniker that’s a quick turn-off.  The epitome of just trying that bit too hard, it combines fantasy with punctuation and comes up with utter dross as a result.  The young band may think they’re being “well random” (to use a horrible teen vernacular, popular at time of this release), but in truth, all they’ve done is give their project a name that’s going to be of potential hideous embarrassment to them in future years.  Hell, maybe they won’t give a fuck – apparently Henry Rollins is a fan, so they’ll be thrilled, whatever. [In some ways, this revelation comes as surprising, given the punk icon’s musical past; in other ways, not so much: Rollins loves music from many genres- loves Beastie Boys, funk and even takes his professional name from a legendary jazz artiste.]   Anyway…yes, Canada’s Fake Shark – Real Zombie!  What of their music itself?

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MTNS – Salvage EP

MTNSLike so many electronic based artists, MTNS’ favoured approach of loading up the keyboards in place of “real instruments” and reliance on programmed elements makes this Australian outfit’s work appear rather cold at first.  Once you’ve broken through that mechanized wall – much like many of electronica’s strongest artists – there’s an intermittent dreamlike world awaiting.  Once the pieces settle into place, the music’s surprisingly huge presence pulls for an emotive response.

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AESTRID – Box

Aestrid_boxWith a huge set of influences from 80s new wave, synth rock (more specifically the more commercial end of Krautrock) and more than a touch of 80s goth and 90s alternative for good measure, this second album from Dutch electronica/alt-rock band Aestrid represents the sound of a band reaching early maturity.  Although its base sounds will probably sound familiar to listeners over a certain age, the albums eleven songs blend dense sounds with a sense of optimism in a way that is almost magical.

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DARK DARK HORSE – Centuries

Dark Dark HorseWhile the bulk of the work released by Leicester post-rockers Maybeshewill is concerned with winding atmospheres around hard edged guitar riffs, this project from Jamie Ward creates an almost entirely different mood.  Over the course of eleven tracks, Dark Dark Horse’s debut release ‘Centuries’ weaves electronic ambiance, pulling together the best moments from the likes of Zero 7 with the quiet menace of parts of Radiohead’s ‘King of Limbs’ and almost Thomas Newman like piano work to create a record which you’ll either love or hate.

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