Here’s a real treat from the Ripple Music label. SoftSun are a doom-laden shoegaze/desert rock trio featuring a few familiar faces. Guitarist Gary Arce will be familiar to some as a member of both Yawning Man and Yawning Balch; vocalist Pia Isaksen is a member of Superlynx, and drummer Dan Joeright is a member of Earth Moon Earth. Between them, they’ve created something that sounds almost nothing like their parent acts, immediately making SoftSun an effective side hustle.
Tag Archives: doom
THE REAL GONE SINGLES BAR #63
Welcome back to the Real Gone Singles Bar, the place where we explore some of the individual tracks that have landed in our inbox over the previous few weeks. This selection takes in a couple of pop-ish tunes, a pair of tracks from bands that are still very new, and even a singer songwriter offering that blends huge melodies with a strangely prog-like flair. As always, we hope there’s something here for everyone, and if you like what you hear, it’s worth exploring some of these artists further…
*
THE REAL GONE SINGLES BAR SUMMER SPECIAL 2024
Over the first six months of 2024, Real Gone received hundreds of submissions for the Singles Bar. Naturally, not everything appealed, and with only eight tracks featured every week, there were various great tracks that also fell by the wayside. Our Singles Bar “Summer Special” rounds up some of the best sounds that didn’t find a previous home. It would’ve been a travesty not to share such good music, but in a couple of cases, we’ve even included material that really should have featured at the Singles Bar around the time of release. Within this batch of twenty top tunes, we’ve pulled together some very retro sounding pop-rock, something with a huge late 60s sound, a couple of gothy bits, a nod to Americana, and even a slice of trad folk. We hope this round up of bits and pieces introduces you to something new, and maybe even inspires you to check out more material.
*
GURT – Satan, etc.
The arrival of ‘Satan etc.’ marks the end of a five year silence from Gurt. Within a few bars of the album’s opening track ‘The Most Dying Way To Die’, however, it’s as if the UK based riff monsters have never really been away. The perfect re-introduction to the band’s self-proclaimed “party doom” sound, the number presents the heaviness of your average Orange Goblin tune and dresses it up in spangly glam rock platform soles. By delivering a stomper of a riff that sounds like the guts of Black Sabbath playing something from the ChinnyChap universe, they’ve automatically secured their audience’s attention – and they know it, too – before the track progresses with a hugely confident air that allows a sludgy riff punctuated by great stops, and even a Rob Zombie-esque groove to derail the almost danceable moods. It doesn’t seem to matter what twists the music takes, either; every time the main glam stomp returns, it feels like the musical equivalent of the ultimate b-movie bad-ass, coming back stronger after being slapped down by the hero of the piece. The buzzing guitars are relentless with their fat melodies; the drums lock down a ferocious groove, and even a retching vocal can’t kill the feel good vibes. Gurt haven’t just returned – they’ve returned in style.
RED MESA – Partial Distortions
Red Mesa’s second album ‘The Path To The Deathless’ brought the world a selection of finely crafted riffs during the pandemic lockdown of 2020. At the album’s most melodic, tracks like ‘Death I Am’ injected an extra spookiness into a classic desert rock backdrop; at its most groove laden, Red Mesa blended the driving elements of early Sabbath’s faster offerings with an extra layer of fuzz that looked back to classic Corrosion of Conformity, and when occasionally stretching for heavier sounds, their slow and oppressive riffs showed a love for the mighty Electric Wizard. In terms of taking a bunch of key influences and chucking them into a giant stoner metal stew, it was the kind of album that genre fans would love.