Following two excellent reissues (a four disc ‘Reformation! Post-TLC’ and equally extensive ‘Imperial Wax Solvent’), the sixth instalment of Cherry Red’s Fall Sound Archives reissue series turns its attention to 2001 and The Fall’s 22nd LP, ‘Are You Are Missing Winner’, an album which seems to gather more criticism than praise. Although very much an album geared towards the fan rather than the casual admirer, there’s still a lot to enjoy. The material has a rough and ready feel, almost certainly a reaction to the more commercial path the band had taken over the 90s – or at least more “commercial” by Fall standards. It was also recorded on the quick and the cheap, an approach that wouldn’t suit all bands but, in this case, it sort of helped The Fall achieve a factory reset and capture a little of the old ‘Dragnet’ era spirit whilst simultaneously looking to the future with a brand new line up.
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LOU GRAMM – Questions And Answers: The Atlantic Anthology 1987-1989
Aside from John Philip’s 1987 LP ‘Wait For The Night’, which isn’t coming out on CD in a million years, there are few major label melodic rock releases more deserving of a reissue as Lou Gramm’s two solo discs for Atlantic Records.
‘Ready Or Not’ and ‘Long Hard Look’ were released in 1987 and 1989 respectively, but were always hard to find on CD in the UK. By the early 90s, they were only available as US imports sourced from clearance warehouses and “cut-out” bins. Even in the US, despite ‘Ready Or Not’ spawning a couple of hit singles, neither album was a roaring success, which seemed surprising after Lou’s previous albums with Foreigner (1982’s ‘4’ and 1984’s ‘Agent Provocateur’) had both gone Platinum.
VARIOUS ARTISTS – Beyond The Pale Horizon: The British Progressive Pop Sounds Of 1972
Grapefruit Records’ 3CD anthologies covering music from 1970 and 1971 captured a British music scene during a period of change. Psychedelia may have been considered long gone, but various pop bands still seemed keen to dabble with the quirky and odd. Although the artier side of the era’s pop and rock scene during that period was often interesting, these sets suggested that the era didn’t always have a clear identity.
There are no such issues with ‘Beyond The Pale Horizon’, a triple disc collection promising to bring “The British Progressive Pop Sounds of 1972”. By the time 1971 had coughed its last and the pop and rock machine rolled into the new year, progressive rock was a dominant force within the album buyers’ market, while glam rock and hard rock were never far away from the singles chart. Between these two or three musical tribes, ’72 came with a strong musical base, but – as always with Grapefruit’s abilities to dig through a rich musical history – the year offered so much more greatness. Naturally, three discs really isn’t enough to paint the most complete picture, but the chosen highlights within ‘Beyond The Pale Horizon’ offer the kind of listening experience that so many lovers of 70s pop and rock will find both nostalgic and educational.
PROCOL HARUM – Missing Persons (Alive Forever) EP
Despite Procol Harum’s newly recorded output being rather scant since their first reformation in the 90s, the band managed to maintain something of a public profile. Gary Brooker and associated friends kept themselves busy on the road, while fans got plenty to enjoy during the recording drought thanks to various super-deluxe reissues and a couple of excellent box sets. Their ‘Still There’ll Be More’ set – released by Cherry Red Records to celebrate the band’s 50th anniversary – was especially wonderful, bringing together classics, rarities and various live shows on DVD for the first time. For those who could afford the expensive price-tag, it was a genuine treasure trove.
JON ANDERSON – Animation
After leaving Yes in 1979 following the tour for their ‘Tormato’ album, Jon Anderson barely rested. Between 1980 and 1982, he split most of his creative time between his own solo projects and collaborations with Greek keyboard virtuoso Vangelis, which brought the vocalist some UK chart success with the commercial new age/synth pop singles ‘I Hear You Now’ and the much-loved ‘I’ll Find My Way Home’. By the summer of 1981 and with the second Jon & Vangelis album ‘The Friends of Mt. Cairo’ having barely hit record shop shelves, Anderson was back in the studio working on the material that was soon to become his third LP ‘Animation’.
Upon release in June 1982, ‘Animation’ was a cult hit among fans, but not especially a commercial success. It marked the first time since the 1960s that Anderson failed to break the top 40 of the UK albums chart, and yielded no hit singles – which might seem weird considering his recent success with Vangelis – but, in all fairness, ‘Animation’ is a really complex animal. On the surface, it’s shiny pop oriented sound and extensive use of the technologies of the era make it appear as if it should’ve been much better received, but closer inspection reveals a sometimes challenging album that often delights in being busy, sometimes for the sake of it, and very occasionally at the expense of obvious hooks. However, it’s one of those albums which, with enough time invested, will eventually present a lot of brilliant material. Some of it is about as singalong as the more excessive bits of ‘Topographic Oceans’, but as is often the case with solo Jon, there’s far more at stake cheeky pop tune.