In 2022, US band Duck & Cover released the ‘Attention Economy’ EP, a short listen that hit hard and fast with a world of trashy riffs that blended a love of garage rock with The Replacements, and even added a tinge of 80s glam to a few of the vocals. The tracks have since appeared on streaming services as three digital singles, but whether heard together or apart, the material retains its appeal. 2024’s two track ‘Trash Fest’ showed off a little more melody around the edges – particularly noticeable in the vocal approach taken on the massively hooky ‘Girl From Nowhere’ – but the band’s love of a wonderfully retro sound held firm.
Tag Archives: boston
THE REAL GONE SINGLES BAR #114
Welcome back to the Real Gone Singles Bar, the place where we explore some of the individual tracks that have been sent our way over the past few weeks. This selection is another genuinely mixed bag, sharing – amongst other things – a country track, a dance number, a perfect homage to 90s shoegaze, and a tune from an up and coming rock band featuring a huge vocal. As always, we hope you find something new to enjoy.
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HAPPY LITTLE CLOUDS – Embers
Unless you happen to be Guided By Voices, it’s rare that albums come together quickly, but some take a fair bit longer than others. It’s fair to say that this album from Happy Little Clouds had a gestation period that was a little longer than most. Its lead single appeared on Bandcamp almost a year and a half ahead of the full length release, and other tracks have been slowly drip fed to an audience over time. In terms of promotion and with everyone streaming, this actually turned out to be a good move: at the point where people might’ve started to forget about this Boston based trio, they’d pop up with another tune, and receive another round of positive online press.
Befitting of something born from a slow creative process, ‘Embers’ is bigger than a mere collection of tracks. There are lyrical themes of questioning, of introspection, and an underlying aspect of emotional growth and change. This makes the material more sophisticated than some of its very 90s, often feel good arrangements might suggest on a surface level.
Real Gone Presents: A Boston Round-Up, June 2025
Over the previous couple of months, the submissions for the popular Real Gone Singles Bar have been more than plentiful. It’s actually got to the point where we’re getting so much good stuff, it’s been almost impossible to keep on top of it all. When compiling a recent column, it came to our attention that we’d had a huge amount of submissions from Boston based bands. Since we were massive fans of albums produced by Paul Q. Kolderie & Sean Slade at Fort Apache back in the 90s and, in more recent times, our site has received regular support from a few Boston based bands, PR companies, labels – including the sadly missed Red On Red Records – it seemed to make sense to take some of these great tracks and highlight them in a feature of their own. The Singles Bar will continue as normal, of course…but this bunch of tracks, shared as a selection in its own right, features some great material. Please join us in giving a hearty shout out to a great city with a thriving music scene… As always, we hope you find something new to enjoy!
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JUSTINE AND THE UNCLEAN – The Signal Light
From the moment their debut single ‘Love Got Me Into This Mess’ hit the internet in 2017, it was clear that Justine And The Unclean were something special. On that recording, the Boston band’s mix of pop punk and power pop greeted the listener in a fantastically upbeat fashion, and Justine Couvault’s distinctive, curly vocal style was impossible to ignore. As the follow up singles emerged, it was always possible to spot the band thanks to that vocal, and regardless of whatever style the music took, the Unclean continued to sound like a band with a real spirit. A little later, their first full length release ‘Get Unclean’ added some old school hard rock to an already potent mix, suggesting a great future ahead. Naturally, things went a little quiet in the Unclean camp during the pandemic years, but a trio of singles suggested the band had retained their sense of drive, and in 2021’s ‘Scorpion Bowl To Go’, it seemed as if they’d actually upped the ante in terms of catchy hooks.