EDITORIAL COMMENT: Ed Sheeran Is Not To Blame

Social media is a wonderful tool. It can connect us with people across the globe; amuse us, inspire us and introduce us to music and films that might have otherwise escaped our notice. There’s a joy in interacting with people we wouldn’t otherwise meet – through being victims of geography, rather than any desire to do so – and discussing cult bands at length. As anyone moving in such circles will attest, conversations about Pink Floyd, Marillion and the Grateful Dead can effectively seem endless.

The negative side of social media is that to find the gold, we have to sift through the mundane, the verbal attacks, the political tensions and the endless moaning. Only last week, an insightful soul on Twitter suggested that if television was once considered “the idiots lantern”, then the internet could well be “the shitbag’s mirror”, effectively reflecting the bad side of all of us. It’s easy to pour scorn and derision on everything from a keyboard when you don’t have to hold your own in a face to face argument.

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Watch Boss Keloid play the whole of ‘Melted On The Inch’ live in the studio

‘Melted On The Inch’ by Boss Keloid is one of 2018’s releases. Bending huge riffs into progressive time signatures and artistic shapes, the UK band have raised the bar in terms of an avant garde approach to metal oriented sounds. [Real Gone’s full review can be found here.]

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BOSS KELOID – Melted On The Inch

Boss Keloid are a scary bunch. They’re one part art rock, two parts progressive metal, three parts sludge and seven parts obsessed with ‘Zodiac’ era Melvins. On their 2018 LP ‘Melted On The Inch’ they use those influences and their many quirks to challenge, frustrate and eventually entertain. Providing your mood is right – and this is the very definition of a mood record – it can lead to a fascinating trip.

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Listen: Real Gone’s New Release Round-Up, January-March 2018

We’ve always aimed to bring an eclectic coverage of music at Real Gone.  We’ve always insisted on mixing genres and covering bigger bands we love alongside some really underground DIY releases.

Since the site launched in November 2009, there’s been a lot of music to get excited about, but the first quarter of 2018 could be one of the most enjoyable yet.

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