Welcome back to the Real Gone Singles Bar, the place where we explore some of the individual tracks that have landed in our inbox over the previous few weeks. This visit to the SB brings some UK based Americana, a slice of acoustic blues, the return of an industrial legend, an interesting cover tune and more besides. Strap yourselves in…there’s a lot of good stuff here!
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Welcome back to the Real Gone Singles Bar, the place where we investigate some of the individual tracks that have landed in our inbox over the past few weeks. There’s a really smart selection this time out which, among other things, shares some great instrumental sounds, welcomes back some ska heroes, explores the darker side of an Australian singer songwriter, and even takes an opportunity to introduce someone brand new. As always, we hope you find something to enjoy!
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Australian singer songwriter Helen Townsend has already released a run of great singles. More impressively, every one has been different from the one before.
Welcome back to the Real Gone Singles Bar, the place where we explore some of the individual mp3s that have landed in our inbox over the previous few weeks. This time around, the SB includes a few familiar faces: Roisin McCarney returns with some great pop; Scotland’s The Lines share one of their finest tracks to date, and alt-rockers Then Comes Silence deliver one of their most incessant hooks. There are unfamiliar acts here too, as well as the Bar’s usual variety, as we explore some retro pop, a tune from a brand new singer songwriter, and a couple of other treats. As always, we hope you find something interesting within…
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Towards the end of 2023, Australian duo Ellen May released ‘Dying To Live’, a two track download that introduced the world to their classic brand of pop punk. Hugely indebted to ‘Goodbye Astoria’ era Ataris and early Sum 41, the material often felt nostalgic, but there was something rather wonderful about their unfussy approach. They clearly understood there was still a market for straight pop punk without the unnecessarily heavy moments that have coloured the punky subgenre post-2012.