In 2013, Australian rock band Evoletah unveiled ‘We Ache For The Moon’, a huge surprise of an album that threw away most of their previous alternative rock traits in favour of a moody sound combining rock, prog and touches of jazz. One of the best albums of the year, it’s lower-key sounds really seemed in tune with the voice of frontman Matt Cahill, tapping into the understated qualities of his voice. It was a brilliant musical statement – and the band knew it; so, then rather than set about creating a similarly themed successor straight away, Cahill stepped aside and with a huge input from multi-instrumentalist Andrew Muecke, began creating material in a completely different style.
Tag Archives: aussie
INTERIM – Metanarratives EP
Interim are a five piece alternative/hard rock band from Australia who’ve previously been championed by their own country’s famous rock radio station Triple J. By the time of their 2015 EP release ‘Metanarratives’ the band sounds more than established – the five songs on this release are of a very high standard indeed, effortlessly mixing hard rock, post-grunge and blues sounds to create a heavy yet melodic style.
CALAIS – Silhouette EP
MTNS – Salvage EP
Like so many electronic based artists, MTNS’ favoured approach of loading up the keyboards in place of “real instruments” and reliance on programmed elements makes this Australian outfit’s work appear rather cold at first. Once you’ve broken through that mechanized wall – much like many of electronica’s strongest artists – there’s an intermittent dreamlike world awaiting. Once the pieces settle into place, the music’s surprisingly huge presence pulls for an emotive response.
THE OYSTER MURDERS – Mourning Birds EP
Following their 2012 debut album and tour, The Oyster Murders set about writing and recording new material to follow up ‘Winter of the Electric Sun’. While the prospect of a new full album would have been very appealing, this six track offering is a welcome enough release – it’s six songs and twenty two minutes showing off the Australian dream-pop quartet’s surprisingly accessible sounds in a lean fashion, the EP format cutting down any potential filler material.
