BREED77 – The Evil Inside

breed77The early releases by Gibraltarian alt-rockers Breed77 (a name they choose to pronounce with a ‘seven-seven’) are very much workman-like affairs, often derivative of many US post-grunge/alternative rock bands. Even with hints of flamenco music colouring their sound, the song writing on those records often lacks the spark needed to make them stand out from the crowd.

Continue reading

POSTCODE – ZebrATP EP

postcodeIn 2007, Postcode released their debut full-length album ‘Zebracore’.  Both this record and it’s follow up (‘Zebraland’) were loaded with overdriven guitar lines, fuzzed out vocals and a truckload of distortion – as if The Breeders had merged with Bikini Kill and asked Steve Albini to record a bunch of songs on the fly.

Continue reading

New video from Post War Glamour Girls

Post War Glamour Girls have issued promo video for their new single ‘Jazz Funerals’, which you can now view below.

‘Jazz Funerals’ is the first in a series of limited edition singles from the Leeds noisemakers and Real Gone favourites. Coupled with a storming cover of Robert Palmer’s ‘Johnny & Mary’, this 7″ is issued on heavyweight vinyl with a postcard in a hand numbered sleeve.

Continue reading

FRANTZESKA – BesauriOn! EP

FrantzeskaFrantzeska is a three piece punk/alternative rock band from Bilbao, Spain. ‘BesauriOn!’ is their second release and although it may be half the length of their prior record, stylistically, they branch out twice as far.  In just five numbers and with the help of four friends, they show off a multitude of styles and influences, from pure punk, to ska/reggae, funk, with touches of pop and even lounge jazz.

Continue reading

THEY MIGHT BE GIANTS – Nanobots

TMBG NanobotsThey Might Be Giants have never been known for churning out hits, and yet, have often found themselves with a loyal cult audience and record company support.  It’s also hard to believe that – taking on board their sideline in making albums for children – 2013’s ‘Nanobots’ is their sixteenth album.   Their first to be released on the power pop label Lojinx in the UK/Europe, does such an association mean the music has shifted farther towards the kind of music often released via that label?  No.  Is there an obvious hit single among its staggering twenty five tracks? As with most TMBG releases there are a couple of contenders, though as always, the most commercial moments aren’t necessarily the most captivating.

Continue reading