DECREPIT YOUTHS – Love Psycho Kill Machine EP

When it comes to creating crossover sounds, Newcastle’s Decrepit Youths don’t mess around. The three tracks that make up their ‘Love Psycho Kill Machine’ EP take in influences from metal, hardcore, darkwave and industrial, only to spit everything back as an angry, but very distinctive noise; one that feels very assured for a band that’s still relatively new at the time of this release.

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MAX RAEL – The Enemy Is Us

Barely three lines into the opening number of his solo debut, experimental musician Max Rael has already embraced differences not being like anyone else and told his audience he feels exhausted. The frankness in which the artist’s neuro divergence is discussed throughout ‘Slightly Less Than Human’ is a signifier of the album’s honest approach as a whole. ‘We Are The Enemy’ isn’t so much a collection of songs; more a world of personal statements, shared with a heart and disarming honesty, but also with the hope that Rael will attract kindred spirits. Obviously, this doesn’t aim for a broad commercial potential, but as albums go, it’s never less than interesting.

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THE REAL GONE SINGLES BAR #114

Welcome back to the Real Gone Singles Bar, the place where we explore some of the individual tracks that have been sent our way over the past few weeks. This selection is another genuinely mixed bag, sharing – amongst other things – a country track, a dance number, a perfect homage to 90s shoegaze, and a tune from an up and coming rock band featuring a huge vocal. As always, we hope you find something new to enjoy.

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HAPPY LITTLE CLOUDS – Embers

Unless you happen to be Guided By Voices, it’s rare that albums come together quickly, but some take a fair bit longer than others. It’s fair to say that this album from Happy Little Clouds had a gestation period that was a little longer than most. Its lead single appeared on Bandcamp almost a year and a half ahead of the full length release, and other tracks have been slowly drip fed to an audience over time. In terms of promotion and with everyone streaming, this actually turned out to be a good move: at the point where people might’ve started to forget about this Boston based trio, they’d pop up with another tune, and receive another round of positive online press.

Befitting of something born from a slow creative process, ‘Embers’ is bigger than a mere collection of tracks. There are lyrical themes of questioning, of introspection, and an underlying aspect of emotional growth and change. This makes the material more sophisticated than some of its very 90s, often feel good arrangements might suggest on a surface level.

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THE REAL GONE SINGLES BAR #111

We’ve reached the halfway point of 2025, and the digital singles still keep coming! There are a couple of familiar names appearing in this visit to the Singles Bar, but with a mix of genres and the help of a really inspiring cover tune, this selection continues our streak of great submissions. Alongside a country singer reviving a tune that deserves to find a new audience, we’ve got the debut track from a new rock band from Belfast, a semi acoustic piece from an interesting solo venture, a strong throwback to 70s pop-rock, and more besides. As always, we hope you find something new to enjoy.

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