The Yes studio albums poll

In June 2015 the world lost one of its finest musicians.  Mr. Chris Squire, founder and only constant member of Yes was not only one of the best bass players in progressive and classic rock circles, but one of the finest bassists, period. Perhaps only second to Jack Bruce in terms of huge influence, Squire’s playing was always near the pinnacle of brilliance.

He could be simple, complex, lyrical…and sometimes all within the confines of the same passage of music.  It may sound cliched, but Squire was a man who knew how it felt to be one with his instrument of choice, someone able to really make their bass speak.

At Real Gone, we’ve always been huge fans of Yes – in most, if not all incarnations – and it’s unlikely a week passes without at least one Yes album being spun.

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THE V – Now Or Never

the vVeronica “The V” Freeman will be familar to some as the vocalist with power metallers Benedictum, a US/Euro outfit who often favour bombast over decent songs.  Her first solo release, 2015’s ‘Now Or Never’ (released via Frontiers Records, home of the previous two Benedictum discs) retains a fair amount of heaviness, but brings in a much welcome melodic element.   The dozen featured numbers hark back to the days of classic eighties sounding metal, with tunes regularly casting Freeman in a Doro Pesche-esque mould.

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Charity version of The Clash classic ‘Rock The Casbah’ available now!

In July 2015, a 4CD set of Clash covers will be unveiled.

Featuring Dreadzone, Horace Panter of The Specials, comedian Kevin Eldon, celebrity Phill Jupitus and Frankie Goes To Hollywood man Brian Nash, alongside a whole host of other names, ‘Combat Cancer’ presents a huge archive of newly recorded versions of Clash classics.

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HARROW – Fallow Fields

harrow fallow fieldsThis third album by Canadian outfit Harrow is a very interesting affair.  Although principally pitched as a hybrid of black and folk metal, the resultant sounds on their 2015 release stretch much further than just those musical touchstones. Taking in acoustic and even shoegazy moods, it could be said that Harrow’s take on folk metal doesn’t always the most obvious route.

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