In 2013, Norwegian prog rockers Airbag released their critically acclaimed third album ‘The Greatest Show On Earth’. Naturally, in some quarters of proggy fandom, people got excited. In some ways they were right enough to do so, since the album contained some fine music; it was all very well played and excellently produced. In other ways, it was hard to understand the hype. For all of Airbag’s obvious talents, the music all too often sounded as if it had been plagiarised from ‘Dark Side of the Moon’, ‘Wish You Were Here’ and ‘The Division Bell’. There came a point – fairly quickly, too – where you could legitimately ask why you’d spend quality listening time with music derived from such classics in a very obvious way, when you could put on a Floyd disc and hear it all done properly?
FOR THE IMPERIUM – Hail The Monsters
Finland’s For The Imperium are an intense bunch. ‘Hail The Monsters’, their second full length album, is one of those records that’s really hard to get through in one sitting. It’s frightening. Not just because it’s intense and heavy – this is by no means just noisy alt-rock or metal – but more for the fact that between the obvious grooves, these guys aren’t afraid to experiment.
The Autumn Ravine unveil new video
The Autumn Ravine – an alt-rock/emo band from the south of England – drop their new EP ‘An Intrinsic Evolution’ on June 13th.
Before then, you can check out the video for the lead track ‘Narcissus’ below.
NAKED – End Game
Take a computer graphic from 1983. Use it to create the outline of a naked woman. Call the band Naked. To be honest, that doesn’t really get things off to the best start, but could possibly be forgiven if the music within this album was of a high standard. Which it isn’t. As it is, most the tunes on this Swedish band’s debut release sound very tired.
THE LOW ANTHEM – Oh My God, Charlie Darwin
‘Oh My God, Charlie Darwin’ is the second (proper) release by the Rhode Island based folk/Americana trio The Low Anthem. It doesn’t always sound like an album which is capable of reaching huge audiences, but with the resurgence of traditional sounding music which happened throughout the late 00s, it has the air of an album which needed to be recorded. The playing throughout is very natural, which alone creates a rootsy, homegrown feel. Essentially, what we have here is an album of tunes to fill the empty space during cold and dark autumnal nights: songs which are often reflective and occasionally whiskey filled.