THE MOCHINES – Modern Information

Bringing together members of B-Movie Rats, LaDonnas and Rum Bar Records’ signings The Hi-End, The Mochines are a no nonsense garage rock band featuring some of the genre’s old hands. Following a few years away, their 2023 release ‘Modern Information’ finds this group of friends sounding particularly energised, and on its best cuts, sounding even sharper than ever before.

Continue reading

DAS KAPITANS – Get Up

Whether approaching an early Mudhoney aesthetic (‘MTV’), adopting a sound that blends the melodic indie of early Franz Ferdinand with heavier, almost grung breakdowns (‘Always Here’), delving into something much moodier and channelling Pavement (‘Sausage’), or throwing themselves head first into a world of minute long, punky bangers (the bulk of 2021’s ‘Ten’ “long player”), Das Kapitans often guarantee their audience a good time. For those who’ve followed the band since near the beginning, it’s been interesting to watch them grow.

Continue reading

THE REAL GONE SINGLES BAR #117

Every visit to the Real Gone Singles Bar uncovers new treats, but as we start to pull towards the end of a UK summer, this selection shares a couple of really special tracks. A new offering from a UK born/Dubai based soul singer could be one of the best things you’ll hear before the autumnal weather sets in; a couple of legends provide the basis for a near perfect reggae banger, and an underground electronica musician really stretches out on his current single. We’ve also got a piece of fairly traditional sounding country, a loving tribute to a classic grunge sound, and a huge alternative rock tune from a band making their debut. As always, we hope you find something to enjoy.

*

Continue reading

DUCK & COVER – EP

In 2022, US band Duck & Cover released the ‘Attention Economy’ EP, a short listen that hit hard and fast with a world of trashy riffs that blended a love of garage rock with The Replacements, and even added a tinge of 80s glam to a few of the vocals. The tracks have since appeared on streaming services as three digital singles, but whether heard together or apart, the material retains its appeal. 2024’s two track ‘Trash Fest’ showed off a little more melody around the edges – particularly noticeable in the vocal approach taken on the massively hooky ‘Girl From Nowhere’ – but the band’s love of a wonderfully retro sound held firm.

Continue reading