At the very beginning of 2016, Hector and The Leaves released ‘Little Bee’, a self-financed EP of material drawing influence from The Beach Boys and The Beatles, redressed in singer-songwriter threads, mixing 60s pop with strains of folk from across many decades. While the EP didn’t necessarily gain country-wide recognition, it showed Tom Hector to be a songwriter more than able to take different influences and recycle them with style, while still allowing his own personality to inform the result. Eighteen months on – and after posting a selection of musical sketches and unfinished ideas online – ‘(interiors’), the first proper follow-up, takes more of a lo-fi singer-songwriter path, but the many things that made ‘Little Bee’ worthy of an ear are still very much in evidence.
New Arch Enemy video: The Eagle Flies Alone
Everyone’s favourite Swedish extreme metal band Arch Enemy are back with a new album on September 8th. ‘Will To Power’ is the band’s first new studio album in three years and the second to feature Alissa White-Gluz. Ahead of the album, you can take a trip to the beach with the band in their new video ‘The Eagle Flies Alone’, streaming in full below.
DEVIL ELECTRIC – Devil Electric
There have been some great stoner and doom bands surface over the first part of the twenty first century. Whether recycling straight up Sabbath-isms, or channelling Fu Manchu-esque dusty grooves that sound like they’ve been borne from a sweaty, clapped out van, this unashamedly retro sub genre of metal rarely disappoints. It’s so often predictable, but that doesn’t diminish from it’s overall power.
Every once in a while, a band appears on the scene that – although still treading a very familiar path – also seems to raise the bar. Such is the case with Devil Electric, a four piece stoner metal outfit from Melbourne whose riffs are so big, they could cause a tremor somewhere in the outback. Their 2016 EP, was hugely enjoyable, but their first full length exceeds expectations.
Remembering Walter Becker: 1950-2017
On September 3rd 2017, it was announced that the legendary Walter Becker had passed away.
The multi-instrumentalist and record producer will always be best known as an integral part of westcoast rock/jazz-rock trailblazers Steely Dan. Taking in various elements of rock pop and jazz, brought to life in the studio and in the live setting by a crack team of session players – including Michael McDonald, Jeff “Skunk” Baxter, Toto’s Steve Lukather and countless others – few had equalled the perfectionist sound of Steely Dan.
CAFFEINDS/SNACKS? – Split EP
Caffeinds’ 2014 release, the ‘HeeBee GB’s EP’, was an unpolished affair, but there was no denying it was a recording made with love. It was rough and ready, as you’d expect something DIY to be, but above all, it was fun. It didn’t get a lot of attention within punk circles (certainly not on a big scale at any rate), but that didn’t stop the band trucking on. That same year’s full length release blended influences from Screeching Weasel and the Misfits in such a way that you couldn’t help but like it – warts ‘n’ all – while 2015’s ‘No Gods, No Decaf’, with an increased recording budget and a bratty attitude, was their best work to date. With each release, it’s been possible to hear Caffeinds making a necessary leap forward.