Since the early 90s, vocalist Gary Hughes has been one of the most important figures on the British melodic rock scene. His second solo album helped launch the much missed Now & Then record label and his subsequent work as frontman with pomp rockers Ten has taken his big voice around the world.
K7s – Mondo Bizarro
When K7s debut album ‘Take 1’ appeared in 2018, it presented itself as an instant classic. In the middle of a pandemic of emo inflected punk, and a bunch of pop punk releases that had too much focus on the pop, the US/Spanish combo gave everyone a perfect reminder of the punk sounds they loved in the 90s. Its half an hour packed in riff after riff, drawing from Ramones, Screeching Weasel and The Apers, quickly setting itself up as an unmissable disc.
The world waited for ‘Take Two’. …And waited. Then, finally, at the beginning of 2021, the band returned with a new work, but fans would still be left waiting for a new disc of self-penned bangers.
Jon Anderson’s 1982 classic ‘Animation’ to get long overdue CD reissue in April
Following the essential reissue of Jon Anderson’s 1980 solo album ‘Song of Seven’ at the end of 2020, Esoteric Recordings are set to reissue the legendary vocalist’s 1982 album ‘Animation’ with bonus materials in April.
Grapefruit Records to issue ‘Riding The Rock Machine’ 3CD comp including 70s rarities in April
Ever since the CD boom in the 90s, the market hasn’t been short of rock compilations. There have been literally thousands of collections of 70s rock classics flooding the market, often very similar in nature. You’d think they’d only be a finite amount of people willing to put their hands in their pockets for discs containing Rainbow’s ‘Since You’ve Been Gone’, UFO’s ‘Doctor Doctor’ and Hawkwind’s ‘Silver Machine’, but still they come…and in huge numbers.
Check out the new video from Colorado punks Record Thieves
Returning after three years away, Colorado punks Record Thieves released a long awaited new debut album ‘Wasting Time’ in 2020. A bright spark during a terrible year, the record quickly gained positive reviews from the punk press, with the Brooklyn Vegan website drawing favourable comparisons with legends like Face To Face and Millencolin.
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