With their 2019 EP ‘Ruins Upon Ruins’, Daxma really put themselves on the map in terms of inventive metal. Presenting just two tracks across a sprawling twenty one minutes, the release weaved a musical tapestry that took a doomy core and dressed it with strong gothic and post metal undertones, allowing Jessica T’s haunting vocal style to really work its dark magic. On the self-penned ‘Minima Moralia’, the band showed a real gift for a sprawling arrangement, and on an unexpected cover of Fleetwood Mac’s ‘Landslide’ – redressed as a gothic post metal tour de force, pulled across ten unmerciful minutes – they demonstrated a sense of fearlessness that seemed almost unparalleled. As far as covers go, it really shouldn’t have worked, but the fact that it did, more than proved that sheer audacity can pay off if a band has the right combination of talent and self belief.
Striker return with new single ‘Deathwish’
With a new line up and very melodic approach, the new look Striker sound absolutely fantastic on their current single ‘Deathwish’. The first new music from the band since their award winning ‘Play To Win’ album in 2018, the new track blends late 80s guitar riffs with a massive AOR chorus, resulting in a performance that calls back to the genre’s glory years.
Big Big Train introduce a ‘Proper Jack Froster’ on new winter single
Despite a global pandemic derailing gigs, it’s been a very productive couple of years for British prog band Big Big Train. They released a critically acclaimed album, ‘Common Ground’ during the first half of 2021, and another new album is expected in the early part of 2022.
In the meantime, they’re set to warm the cockles of prog fans with a surprise new single, ‘Proper Jack Froster’.
Listen: Marillion – Buffalo, July 1983
For years, the ‘Recital of The Script’ VHS was only available document of Marillion’s earliest live shows. Recorded at Hammersmith Odeon in 1983, the gig was drummer Mick Pointer’s last public appearance with the band. Although visually brilliant, the performance is rather slow in retrospect, not always doing full justice to some great material.
VARIOUS ARTISTS – Once Upon A Time In The Midlands: The Bostin’ Sounds Of Brumrock 1966-1974
When thinking of the rock sounds to emerge from Birmingham and surrounding areas, it’s all too easy to think of Slade and their chart topping stompers, of Roy Wood and his flamboyant take on glam rock, and of heavy metal pioneers Black Sabbath and Judas Priest. All of those bands really helped to put the Midlands on the map – that could never be disputed – but Brum and its surrounding neighbourhoods offered British music so much more throughout the sixties and seventies. ‘Once Upon A Time In The Midlands’ brings together various heroes, forgotten gems, period rarities, and even the occasional hit in a brilliantly compiled 3CD package that’ll educate as much as entertain.
Although the three discs aren’t in a strict chronological order, this collection has a definite flow, moving through psych and beat groups, into a world of seventies rock and finally ending up with the glam-ish sounds of Blackfoot Sue and an early tune from Judas Priest. As always with these sets, though, ‘Bostin’ Sounds’ works best when approached as a curate’s egg, with the listener dropping in at random on a couple of old favourites and discovering something old – yet new – along the way.