The release this album in 2022 marks the end of a decade long silence from Boston rockers The Dirty Truckers. It’s not that the band members have been absent in that time, of course: frontman Tom Baker has released enjoyable works, both solo and with his other band, The Snakes (also featuring the Truckers’ John Brookhouse); guitarist Tad Overbaugh released a solo album in 2015, and drummer John Lynch released a truckload of material with his “other” band, Watts. In addition, an excellent digital compilation, ‘Second Dose’, also provided potential new fans with a handy recap. Whichever way you approach it, the Truckers left their fans with plenty to enjoy during the lengthy sabbatical.
SAIL – Emotional Motion Ocean EP
British sludge/doom/alternative outfit Sail aren’t the most prolific band, but they’re one of those acts that seem to offer something of genuine interest whenever new music arrives. In August 2021, their two track single ‘Flood’ showcased their knack for massive riffs, but also showed how they could make an almost unmovable sound seem more atmospheric than some of their peers. An accompanying remix actually gave the material a further lift when demonstrating how the original recording had an almost mechanical, semi-industrial feel beneath the riff, and further suggested that Sail’s best material presented far more than a heavy vibe.
WEST WICKHAMS – Consider Her Way EP
Following the release of Dead Wolf Club’s excellent ‘Healer’ EP in 2013, the band’s vocalist Jon Othello launched a more goth and new wave inspired side project, West Wickhams. Before the year was out, the new band shared a demo online, but then seemed to disappear. Jon resumed duties with his DWC bandmates the following year, and they seemed to tour relentlessly before calling it a day prematurely in 2015. Their demise left a massive hole in the world of noisy indie rock. For a time, they seemed to have a hugely reliable presence as a support act, and ‘Healer’ had very much promised bigger things to come.
BLOODY HEELS – Rotten Romance
Latvian rockers Bloody Heels began carving themselves a niche within the hard rock scene in 2012, but it was only with the release of their third record ‘Ignite The Sky’ that they really attracted wider attention. That album, their first for Frontiers, potentially placed them in the hard rock ranks alongside Hell In The Club, and really upped the ante with regards to their chorus writing. It was all very old fashioned, but that, in many ways, was the whole point. Their celebration of all things big haired and carefree actually created a great tribute to the hard rock glory days of 1987-1991, and as such, attracted a keen audience who still wanted to hear old school rock churned out with a real enthusiasm.
PETER BARDENS – Long Ago, Far Away: The Recordings 1969-71
Keyboard player Peter Bardens first achieved wide recognition as a member of UK prog band Camel, but prior to their formation in 1971, he had already taken major steps towards a full time musical career. He was first a member of Peter B’s Looners – a blues and soul band that eventually became Shotgun Express and featured future megastars Mick Fleetwood and Rod Stewart – before joining Irish rhythm and blues band Them in time to record their debut album. By 1969, he’d become a member of the short-lived band Village, which also featured future Sutherland Brothers & Quiver bassist Bruce Thomas, later to achieve genuine stardom as a member of Elvis Costello’s Attractions. For anyone with a keen interest in the history of British R&B, these musical ventures would be enough alone to secure Bardens a place within a pantheon of cult musical figures.