Real Gone’s End of Year Round-Up 2021

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In 2021, Real Gone celebrated its twelfth year online. It’s hard to believe we’ve endured for so long, but that’s down to you – our enthusiastic and still growing audience – coming back every week to explore the more “cult” aspects of a new release schedule as well as continuing to enjoy our occasional dips back into music’s past.

Having long established a house style, our approach remained the same as the past few years: the site has mixed in depth pieces on new albums with occasional “archive pieces”, full length videos, and other bits of musical news and streams. That’s got us through another tricky twelve month stretch. That makes it sound like a prison sentence, but even with the ongoing pandemic hovering over all of us, it’s been far from bad.

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HALF PAST TWO – Holidays EP

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2021 was a busy year for US ska/punk/rock band Half Past Two. They not only released their self-titled full length – their first new work for a couple of years – and a well received video lamenting the perils of a ‘Scratched CD’, but they also returned to live work after a long spell away from the spotlight. In addition, they also found time to record a covers EP, based around a “holiday” theme.

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ESKINA – We Are The Moon

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Following on from 2019’s ‘Everything Is Coloured’, ‘We Were The Moon’ is another fine, mellow yet complex work from Dutch instrumental act Eskina. Its ten ambient oriented pieces have very strong roots of chamber music, with a dominant cello and viola used effectively throughout, and by twisting through arrangements with slight overtones of prog and plenty of massive soundtrack-like moods, the musicians create something that’s both rich and rewarding.

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BEEBE GALLINI – You Ain’t Getting Nothin’ / What Christmas Means To Me

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Despite the world being knocked sideways by a global pandemic, the period stretching between the end of 2019 and the end of 2021 didn’t work out so badly for vocalist Miss Georgia Peach. The debut EP from her band Beebe Gallini gained a timely reissue from the Rum Bar Records label, which helped it to reach people who’d missed it in 2018. Likewise, a reissue of her 2007 solo single ‘You Blow My Mind’ was given a new lease of life via its inclusion on a label sampler and a subsequent digital reissue campaign. More importantly, Beebe Gallini’s full length album ‘Pandemos’ (released in May ‘21) made good on the EP’s earlier promise with tunes like ‘Bad Man’ and ‘Danny’ scoring highly on the retro riffs front, and the Bee Gees’ classic ‘To Love Somebody’ being redressed in a world of fuzz. The general online buzz surrounding the album (and the record label’s enthusiasm for it) made it clear that there would be more to come from Peach and her bandmates – and sooner rather than later.

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Mysterious Pink Floyd bootlegs appear on streaming services

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In a bit of unexpected good fortune for the discerning prog fan, a selection of Pink Floyd bootlegs dating from 1971 have appeared on streaming services.

Spotify and Amazon Music began hosting a range of live recordings from the ‘Meddle’ era, in varying quality a few days ago. Some of the recordings have long been well known to bootleg collectors – such as the ‘Screaming Abdabs’ recording from Quebec, featuring the classic Gilmour/Wright/Waters/Mason line up showcasing a couple of new ‘Meddle’ tunes as well as providing the often overlooked ‘Embryo’ with a live outing, and the full set from Montreux ’71 – but the opportunity for the more casual listener to stumble upon these archive treasures will surely be welcomed.

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