DAS KAPITANS – Debut

Posted on by

For those who were paying attention to the UK indie rock/punk underground during those periods of pandemic lockdown during 2020 and ’21, the name Das Kapitans will be a familiar one. As the world slowly ground to a halt, the band went into recording overdrive by releasing twelve albums’ worth of material at a rate that would’ve made Guided By Voices man Robert Pollard seem lazy.

Their 2022 release ‘Debut’, then, isn’t a debut in the true sense; nor does it mean that the band consider their dozen lo-fi Bandcamp releases in anyway unofficial or unimportant. The title comes from the fact that it’s actually the first Das Kapitans disc to be recorded “properly”, with far more care – and with all of the band members present at all times. This gives the album an extra level of professionalism, but those who’ve already taken the time to explore the band’s rapidly assembled catalogue and fallen for its ragged and noisy charms needn’t worry about this being too polished. Yes, in many ways, the material sounds better, but it never really loses any of the band’s rough and ready spirit, and the expected big riffs are still at the forefront of the best material.

Continue reading →

AL PACINOS SISTER – DOGZ EP

Posted on by

In February 2020, Al Pacinos Sister (no punctuation) released ‘Trained In Karate’, a no-frills, no holds barred hardcore punk EP that valued speed and noise over almost everything else. The result was like experiencing a raw garage band tapping into the earliest wares from the Dischord label. Obviously, what the songs lacked in finesse they made up for with sheer balls, leaving behind the kind of lightning fast punky blast that seemed almost timeless.

Continue reading →

MONTROSE – I Got The Fire: The Complete Recordings 1973-76

Posted on by

1973 was a fantastic year for rock music. Pink Floyd released a world beater with ‘Dark Side of The Moon’; Led Zeppelin offered ‘Houses of The Holy’ – one of their most varied and adventurous works to date – and Queen introduced the world to their mix of pomp and pop with a confident, if flawed, first album. With other superb albums by Paul McCartney & Wings (‘Band On The Run’ and ‘Red Rose Speedway’), two great works from Elton (‘Goodbye Yellow Brick Road’ and ‘Don’t Shoot Me’), two from future megastar Bruce Springsteen, the Stones’ branching out on ‘Goat’s Head Soup’, and Yes disappearing up their collective backsides on ‘Tales of Topographic Oceans’, the year offered the discerning music fan something interesting at every turn.

Somewhere among the noise, US hard rockers Montrose made their breakthrough. Their self-titled debut album is as powerful as the Van Halen debut from ’77, with riff after riff on a filler free, half hour slab of plastic. As raucous as New York Dolls, and as groove laden as the best Johnny & Edgar Winter tomes, decades on, it remains a near perfect example of American hard rock. In the UK, neither Montrose or their debut album get talked about as often as they should be, but ‘I’ve Got The Fire’, a 6CD box set from Cherry Red certainly aims to change that by shining a massive light upon an all too short time at the top, bringing together pretty much everything the band recorded during a very prolific four years.

*
Continue reading →

TROCAR – Four Forfeit Digits EP

Posted on by

Advertised as “a love letter to Relapse Records” and inspired by bands like Mortician, this debut release from Arizona’s Trocar really doesn’t mess about. Its four tracks serve up lightning fast sheets of noise where industrial noise collides with the insanity of grindcore, aiming to hammer the listener into submission in record time. Valuing a relentless intensity over indulgence, it creates pure noise without sacrificing tightness or complexity.

Continue reading →

THE RIGHT HERE – Reckless Kind / Molly

Posted on by

They aren’t especially well known in the UK, but The Right Here have been releasing enjoyable rootsy rock records since 2012. Capturing a sound that falls somewhere between Springsteen, The Gaslight Anthem and Nato Coles, the blue collar grubbiness within their work is laid on pretty thickly, but their gifts for knocking out riffs and hugely broad melodies makes their work widely appealing.

Their 2021 release ‘Northern Town’ was picked up for distribution by Rum Bar Records, placing the band in great company alongside Nato Coles, Watts and Nat Freedberg, A well rounded record, it placed the Soul Asylum-esque ‘Buy Me Another Round’ and ‘Every Once In A While’ alongside the punkier ‘Good Luck Trying’ and the countryfied ‘Drinks & A Dress’, giving the album a varied yet consistent heart.

Continue reading →