In May 2025, electronica musician KPT shared the ‘Claw’ EP. Taking a massive sidestep from some of KPT’s more “pulse” oriented sounds and tracks with a distinct melody, the EP’s trio of tracks ventured into bleaker territory. With one number presenting six minutes of industrial noise, one blending drone with a collection of found sounds and field recordings, and one splicing dark ambient elements with unforgiving, machine-like industrial sounds (taking industrial right back to its origins) it certainly wasn’t a lightweight listen.
FLIPPEUR – Plastique / Pour de l’Avion
In June 2025, French punks Flippeur released ‘Pacman’, a frenetic single that took punk’s energy, added a bunch of bending synth sounds and a relentless jangle to create a really punchy track that hit its audience so hard that, even for those non-French speakers, it couldn’t fail to impress. In and out in just seventy nine seconds, it barely gave the listener time to over-think what they’d just heard, and that feeling of pure, unrestrained energy went a long way to suggesting Flippeur would be worth keeping an ear for in future.
ROT FESTER – Death Row EP
Rot Fester’s debut EP – 2024’s ‘Condone Or Condemn’ presented eighteen minutes’ worth of old school death metal fury. With the bulk of the material adopting a bass heavy approach coupled with a guttural roar, the Swedish duo were certainly heavy, but the sludgy tone of the recording ensured they didn’t just sound like they were casually retreading a traditonal death metal path.
Listen: Rich Allo shares new single ‘You’
In the summer of 2025, singer songwriter Rich Allo released ‘Sabre Teeth’, a strange single that blended styles in a most unexpected way. Its underlying acoustic guitar lines had a hint of influence from post grunge in their chord pattern, but drew more from anti-folk in the way the recording used a lo-fi mix and live sound to present itself. The live sound also allowed for the sound of fingers on frets to be audible, giving the core of the verse a genuine character. Rich then contrasted that with a huge vocal where falsetto sounds made for an unnatural match. However, given time to adjust, the track shared a melodic core that was huge, and the second half of the number – sharing more of a rock-centic voice and some very busy lead guitar work – played a little more towards tradition, all the while clinging onto something that didn’t immediately sound like anyone else.
Listen: The Peppermint Kicks deliver a ‘Number One Record’
In the middle of the “lockdown years”,The Peppermint Kicks released their debut album, a ten track collection of retro workouts, pretty much guaranteed to thrill fans of the musicians involved. Like many releases on the Rum Bar label, it received positive praise from the underground press, but didn’t really reach beyond “cult status”.