Helmed by multi-instrumentalist Chris Dicksheid, Side Project Skip’s debut EP ‘Fast Falls & Hard Landings’ – released in 2021 – found the sometime Mediocre Friends musician sidelining the sounds of late 80s college rock and exploring retro sounds of another kind. The recordings presented stripped back semi-acoustic material that had a very DIY feel, but at their best – as heard on the very strong ‘Sunsets On Rooftops’ – a love for bands like Toad The Wet Sprocket was evident, creating an intimate listen that shone a light on Chris’s songwriting in a pleasing way.
Watch: Noah Villeneuve shares new video for solo debut ‘Kneejerk’
When it comes to reaching for a heartfelt sound, Noah Villeneuve isn’t holding back. His debut solo recording ‘Kneejerk’ begins slowly, presenting his rich vocal tones almost unnacompanied. Bringing in slow, acoustic strums, the melody builds, but clearly aims to draw in the audience gradually. Noah isn’t out to wow people with massive hooks, but to make them…listen – a gift that seems to be fading in this world of short attention spans.
Listen: Real Gone’s New Release Round-Up, July-September 2025
As we head into the final quarter of 2025, it’s time to take a moment to look back over the past few months. It’s been a great time for new releases — especially on an underground level — and, as a result, we’ve been insanely busy at Real Gone.
Watch: Tooth Gore shares new video for ‘The Lighthouse’
Following a string of rather varied sounding digital singles – kicking off with ‘Spilled Milk’ in September 2024 – one man band Tooth Gore released his long awaited ‘For Losers…By Losers’ album in June 2025. It didn’t disappoint. Taking in elements of surf rock, noisy indie, melodic punk and a couple of other retro twists, the album showcased an artist will a brilliantly malleable talent.
THE PLANET SMASHERS – On The Dancefloor
It seems inconceivable that ‘On The Dancefloor’ is The Planet Smashers’ tenth album, much in the same way that it seems inconceivable that it comes twenty years after fan favourite ‘Unstoppable’, and three decades after the death of Sublime frontman Bradley Nowell. Time is a funny thing.
They might not have had the commercial success as Real Big Fish or Less Than Jake (at least in the UK, where hard touring has made those bands a big draw since the late 90s), but years of grafting have made The Planet Smashers an integral part of the transatlantic ska world. There have been times when it’s been hard to work out why. Despite being great musicians, they’ve not always shown signs of being particularly great songwriters, with so much of their earlier work being reliant on one line hooks, delivered ad nauseum to the point of absolute annoyance.