From the moment their debut single ‘Love Got Me Into This Mess’ hit the internet in 2017, it was clear that Justine And The Unclean were something special. On that recording, the Boston band’s mix of pop punk and power pop greeted the listener in a fantastically upbeat fashion, and Justine Couvault’s distinctive, curly vocal style was impossible to ignore. As the follow up singles emerged, it was always possible to spot the band thanks to that vocal, and regardless of whatever style the music took, the Unclean continued to sound like a band with a real spirit. A little later, their first full length release ‘Get Unclean’ added some old school hard rock to an already potent mix, suggesting a great future ahead. Naturally, things went a little quiet in the Unclean camp during the pandemic years, but a trio of singles suggested the band had retained their sense of drive, and in 2021’s ‘Scorpion Bowl To Go’, it seemed as if they’d actually upped the ante in terms of catchy hooks.
Category Archives: Album & EP Reviews
RIAN – Wings
Swedish rockers Rian have been slowly carving out their place on the melodic rock scene since 2017. This second full length album finds them reaching a musical maturity on an enjoyable set of tunes that blend melodic hard rock and metal riffs seamlessly with huge AOR choruses, and although their old school sound is often predictable, the eleven songs on 2023’s ‘Wings’ are of a very high standard for the style.
VINCENT CARR’S SUMIC – Jupiter Wrens: Fantasias
It’s likely that you’ve never heard of Vincent Carr, but the multi-instrumentalist began releasing very interesting, largely instrumental work under the SUMIC name in 2014. Although easily labelled as “prog” due to its indulgent approach and complexity, the one-man project takes in a broad range of sounds and influences. On the very pastoral “Rekindled” (2016), the musical pieces drew heavily from folk and even hinted at influence from Freddie Phillips. On 2019’s more complex ‘New Paeans’, Carr wasn’t shy in sharing a love for Mike Oldfield, Steve Hillage and Gong, and the more recent ‘Strolling Early Morning’ did a fine job of blending all of those influences on a record that managed to be a little more accessible, yet no more commercial.
MERV SPENCE – Phenomena Recovered
When you think about musicians associated with classic rock bands, the name Merv Spence is unlikely to be one of the first that’ll spring to mind. In fact, there are several hundred vocalists that’ll be part of the fan consciousness before this Irish vocalist even gets a look in. …And it’s with good reason. He first made inroads into a career in 1982 when he replaced Pete Goalby in Trapeze, but that association imploded by the end of the year when guitarist Mel Galley left to join Whitesnake, putting an end to a great band. Spence recorded an album with Trapeze that year, but it remains unreleased. He later joined Wishbone Ash, an association which was again brief, but yielded one album – 1988’s ‘Raw To The Bone’. By that point in their career, Wishbone were past their best and, as such, it was a release that was only really heard by the die-hard fans.
CLICHÉ CULT – Race Against The Time / Sweet Therapy
Formed during the pandemic lockdown of 2020, Yorkshire’s Cliché Cult gradually built an online following via the release of a half dozen digital singles. The band’s mix of indie, post punk and energised jangling guitars set them out as a band to watch. In addition, the tonal shift between the Bunnymen-ish ‘Plastic World’ single in 2022 and the semi-funky ‘Veronica’ (released in March ’23) suggested they were a band who weren’t about to play things safely, or get pigeonholed.