The Noise Who Runs is a musical project helmed by Ian Pickering, best known as lyricist for Sneaker Pimps. Joining Ian is French-Brazilian musician Felipe Goes, and between them, the duo share some big sounding synth pop and vaguely experimental electronic sounds on their 2024 EP ‘Come And Join The Beautiful Army’. Its five songs dart between big hooks and even bigger, sometimes angular sounds, creating a work that isn’t necessarily immediate, but has a strange and alluring quality that will appeal to listeners with a broader range of alternative interests.
Category Archives: Album & EP Reviews
COSMIC JAGUAR – The Order Of The Jaguar Knights EP
Ukraine’s Cosmic Jaguar conjure some amazing riffs on their 2023 EP ‘The Order of The Jaguar Knights’. The four songs mix classic thrash – played at the high octane speeds set by bands like Exciter and Exodus in the early 80s – with lop-sided prog metal breakdowns, and the bulk of the music is joined by abrasive vocals that appear not to fit squarely with either genre. What this means, of course, is that Cosmic Jaguar are capable of summoning a hefty sound throughout.
GOAT MAJOR – Ritual
During the dying days of 2023, Welsh stoner/doom band Goat Major made some huge musical waves with their debut EP ‘Evil Eye’. Although its three tracks didn’t really set out to offer genre fans anything especially new, it was clear these lads had a massive set of talents, and clearly understood that taking a well liked style and reworking it flawlessly would be, in many ways, more beneficial than adding new twists and somehow missing the mark. Whichever way you approached it, the EP sounded superb. The riffs were incredibly weighty, the filtered vocal added a Sabbathy ‘Planet Caravan’-esque strangeness, and the rhythm section sounded like a truck. In DIY terms, ‘Evil Eye’ was absolutely peak stoner/doom – a download not to be missed, and a release that set up enormous hopes for an equally good follow up.
CRUZH – The Jungle Revolution
Few bands have managed to take such a giant leap in terms of quality between their first and second records as Swedish rockers Cruzh. Their 2016 album showed promise in terms of its (admittedly unfashionable) AOR-centric songs, but on that record, they sounded like an entire product of the studio. The guitars were smooth and the vocals subjected to so much post-production, they barely sounded human. In short, the material had no real bite. Their second record ‘Tropical Thunder’ – issued by Frontiers Records five years later – was a great improvement. The songs, still indebted to the Danger Danger debut and equally 80s-tastic material by Alien, came with a big heart, but more importantly, seemed to breathe far more naturally. Despite still being overproduced, the 2021 Cruzh had seemingly learnt the value of a more rock derived vocal, and some of the material shared great guitar work, suggesting that this band actually had the potential to become a decent melodic rock act. Granted, they’d still have to go a fair way to beat fellow Swedes Lionville and Streetlight in terms of sheer quality, but ‘Tropical Thunder’ was certainly a huge step in the right direction…
TURBULENCE – Binary Dream
Turbulence’s second album – 2021’s ‘Frontal’ – was a challenging but impressive showcase for some pin-sharp musicianship. The Lebanese prog metal band managed to create a very cerebral sound that took the typical heaviness associated with the genre, and contrast that with some rather grand melodic passages. Experiencing the tuneful guitar parts cutting through parts of ‘Ignite’, or the AOR tinged vocal melodies at the heart of ‘Faceless Man’ helped to give the material a very welcome sense of balance. Although unlikely to appeal to anyone not already well versed in progressive metal, the album offered a window into a work that would just as likely cite Arena and Lalu alongside the more obvious influences from Dream Theater (yawn) and Symphony X (rarrrgh).