Recorded and mixed by Bloodhag’s Jeff McNulty and mastered by the legendary Tad Doyle, this EP from Seattle stoners Wyoming Young and Strong has a huge, live in the studio sound that makes similar works by renowned producer Jack Endino seem half-arsed. Presenting a wall of distortion coupled with sludge/hardcore riffs that sound like early Tad battling with ‘Ozma’ period Melvins, the band take the stoner metal sound from their earlier ‘Black Wire’ LP and ramp everything up about three fold. The results are absolutely devastating.
Category Archives: Album & EP Reviews
JEREMY PORTER AND THE TUCOS – Five Foot Three & Tiger Eyes / While You Spiral
Jeremy Porter’s 2016 EP ‘Barrel of Tears’ was a three track gem. Its two original cuts shared some great guitar driven rock pop that harked back to the slightly rootsier end of the 90s, and the big hooks showed a huge love for material from the Soul Asylum and Kevin Salem catalogues. Best of all though, the release shared a superb cover of ‘Blue Letter’, a tune best remembered in its Fleetwood Mac incarnation from ’75, given slightly more of a country rock twang, and showing off Jeremy and The Tuco’s gifts for tight melodies with ease.
KMFDM – Let Go
It’s hard to believe that the release of ‘Let Go’ ties in with KMFDM’s 40th anniversary. In some ways, it’s just as hard to believe that this record comes a whole decade after the brilliant ‘Kunst’, which at the time of this release, still felt like a recent work. No matter how much time passes, though, there are few things as reliable as a new album from Sasha ‘Käpt’n K’ Konietzko and his team. Fans know that a KMFDM record will give them pretty much what they’d hope for, and occasionally more…and that’s very much the case with this disc. Even after four decades on the road, on the bulk of ‘Let Go’, the KMFDM machine shows no sign of burnout.
HVALROSS – Running The Gauntlet EP
The debut album from Dutch rockers Hvalross introduced listeners to a band with a very distinctive sound. Released in 2020, ‘Cold Dark Rain’ wasn’t afraid to mix styles. Tunes like ‘Finally Repent’ and ‘I Shot My Best Friend’ blended old style melodic rock with light alternative rock tones and semi-bluesy sounds, and the band’s huge approach to backing vocals occasionally hinted at a love of ‘Dog Eat Dog’ era Warrant. ‘As I Am’ leant further towards a prog metal-post grunge hybrid with its contrasting muted riffs and huge blankets of sound, and ‘Death From Above’ showed how Hvalross could weave stoner-ish tones within their riffs and still convey a huge hard rock melody. They didn’t always get it right; the huge, wailing vocal cutting through the middle of ‘The Owl’ proved to be a massive distraction from some potentially enjoyable music, but few records are perfect.
VOLT RITUAL – Return To Jupiter EP
Volt Ritual’s self titled album was released in the summer of 2022. Being a wholly DIY release, it didn’t get the full bells and whistles in terms of promotion, but for those who stumbled across it on Bandcamp, it was a record that struck a chord almost immediately. Its seven songs drew heavily from the past, with huge musical debts owed to Black Sabbath, Fu Manchu and Kyuss, but Volt Ritual clearly understood the value in “recycling with love”, and against a lot of competition – let’s face it, the stream of new stoner and doom albums is never ending – it became one of the scene’s best records.