Ria Aursjoen will be familiar to some people via her work with Octavian Winters, a band whose recordings offer a more accessible take on gothic and symphonic rock sounds. Musically, the band’s love of an 80s sound is offset by a more contemporary darkness, but whatever route their arrangements take, its often Ria’s voice that’s the big musical draw. With that in mind, this solo EP comes as a very welcome addition to her catalogue. The first release under the Aursjoen name retains a haunting and sometimes gothic atmosphere in places, but much of the material conveys a different mood, often leaning further towards influences from folk and alternative pop, allowing Ria more space to share a dark beauty.
Category Archives: Album & EP Reviews
WOLFORNA – Tales Of The Damned EP
In an age where people dip in and out of playlists rather than digest full albums, there’s been more of a fashion for alternative rock bands to take a record/release approach to their work. It’s often common to find new “single” tracks on streaming services, only for those not to be followed with anything more concrete. Wolforna have been adding to their catalogue of digital singles since 2019, and although there has been a pleasure in watching them grow as a band, the quick single hits haven’t always given fans much in which to immerse themselves. The blame, of course, lies not with the band, but the quick fix world to which music streamers have become all too accustomed.
KOYO – Onism
As a band, KOYO have always been purveyors of interesting rock music, but trying to pin an easy identity on their sound is a thankless task. On their 2017 debut, they jumped between styles, somewhat gleefully, with the semi-psychedelic ‘Lost In The Kingdom’ playing like a lost Jane’s Addiction track overlaid by bleeping new wave keys, ‘Now I Understand’ sounding a bit like a Charlatans deep cut, and ‘Tetrachromat, Pts. 1 & 2’ dipping its toes into a world of contemporary sounding prog, where a complex arrangement was joined by Hawkwind-esque sax work, creating a trippy feel, augmented by a melodic metal undertone. Their 2020 release (‘You Said It’) saw them experimenting with shorter songs and a punchier sound, but for those willing to invest the time, the best songs still conveyed a sense of adventure, with the title cut blending modern indie sounds and a pinch of post rock crunch. Better yet, the album standout ‘Obelisk’ worked a huge art rock sound, where jerky rhythms collided with huge metallic riffs and trippier passages reminded listeners that the band who’d shared ‘Lost In The Kingdom’ just a few years earlier were still there…somewhere.
SLOWER – Rage And Ruin
Formed as a vehicle for playing Slayer classics at a doom metal tempo, Slower had the potential to be the greatest “novelty” band ever. They were smart, though: once you’d got past the amusement of hearing some of your favourite speed-oriented metal bangers played as funereal dirges, their debut album held up on its own merits. Fu Manchu man Bob Balch and members of Kylesa, Monolord and Year of The Cobra each bought their own unique talents to the project, and each of the tracks played out like the ultimate in classic doom and sludge fare. The result certainly wasn’t what Tom Araya had envisaged, but it was fantastic to hear a new twist on the classics.
TURKEY VULTURE – On The List EP
Following a couple of EPs fusing hardcore punk and stoner metal, Connecticut’s Turkey Vulture have chosen to branch out a little more on their 2024 release ‘On The List’. The six tracks still convey a love of great noise and still celebrate a very lo-fi ethic, but Jessie May (gtr/vox) and Jim Clegg (drums) have added swathes of grindcore and a pinch of death metal to their grab-bag of angry sounds. The results – although still very clearly delivered via Turkey Vulture’s furious hand – are utterly devastating. And not only have they increased their sense of force , but they appear to have decreased their already non-existent recording budget, which makes this EP a genuinely uncompromising affair.