Playing a distorted and heavily wah-wahed blend of bluesy hard rock, in theory, New York’s NFU are the kind of band who should draw easy comparisons to Hendrix, Zeppelin and various 90s hard rockers enamoured with both. That’s so obviously their aim. The reality, however, is somewhat shocking. Despite promising “an EP full of character”, it’s quickly apparent that these four musicians – using that word in its loosest sense – have little more than a basic grasp of their instruments. At best, listeners will be subjected to material that approximates a boring bluster. But that’s being somewhat kind, since the four songs on ‘Treason’ seem to be played by a band who have absolutely no abilities when it comes to playing in sync with each other.
Category Archives: Album & EP Reviews
SILVERBONES – Wild Waves
The questionable waters of “pirate metal” will always be ruled by Germans Running Wild, a band who took their concept to extremes and churned out albums for years. One of them even came with a warning of “loud sound effects” on the sleeve…and true enough, there were cannon noises loud enough to cause harm to many an expensive speaker set up. Other bands have attempted to cash in similar themes, but few – with perhaps only Alestorm worthy of a mention – have come close to creating such shiver-me-timbers silliness with such fervour.
THE SWAGGER – The Swagger EP
With Swervedriver’s Graham Bonner handling production duties and the band booked into The Kinks’ Konk Studios, the debut EP from London’s self-proclaimed grit-rockers The Swagger already got off to a more than reasonable start. Here is a band rich in influences – not only taking cues from the mod pop of Ocean Colour Scene, to the more raucous elements of The Who and a few heavier and psyched bands, but also taking cues from few UK punk bands along the way. This all results in a chunky sound that sometimes rocks, but more often than not, swaggers, thus dishing back each of the influences in a very cock-sure manner.
THE HOWLING VOID – The Triumph Of Rain
In terms of cinematic doom metal, there are few albums finer The Howling Void’s fifth release ‘Runa’. It’s slow and enormous sound is one that truly provides an immersive listening experience; a collection of heavy tunes which, after hearing, suggests that any follow up would lead to disappointment. The Howling Void’s mainman, “R”, did the only sensible thing: he stepped back and allowed plenty of time to pass before unleashing another album into the wild. Almost three years in the making, 2016’s ‘The Triumph of Ruin’ does not disappoint. It’s perhaps a little softer and a little more gothic in places, but the forty minutes worth of music within very much represents some fine and brooding riffery.
DROUGHT – Rudra Bhakti
Sharing a label with Harrow, Darkspace and Krasseville, it was always obvious that Drought’s debut album wouldn’t be an easy listen. Quickly gaining positive notices from cult music blogs situated in the deepest corners of the internet, ‘Rudra Bhakti’ set itself a place among lovers of extreme music, while simultaneously presenting something that barely represents music at all. There’s extreme and there’s extreme, and Drought piledrive noise across twenty four brutal minutes, leaving behind something that borders on the unlistenable, almost to the point of representing some kind of bizarre aural self-harm.