On their debut EP ‘Raise A Glass’, Kings Never Die channel an early 90s spirit. With four tracks that revisit a hardcore/metal crossover sounds of New York, it’s an EP that’s set to give listeners a real shot of nostalgia. Given that the band features ex-Dog Eat Dog guitarist Dan Nastasi, Mucky Pup’s John Milnes and Inhuman’s Larry Nieroda, their desire to keep things retro probably shouldn’t come as a too much of a surprise.
Category Archives: Album & EP Reviews
GLENN HUGHES – Songs In The Key Of Rock
With the string of superb albums starting with 1992’s ‘From Now On…’ through to 1999’s ‘The Way It Is’, the legendary Glenn Hughes released his most consistent block of work ever. Moving into the new century, both ‘Return of The Crystal Karma’ (2000) and ‘Soul of A New Machine’ were enjoyable enough, but sometimes lacked the overall consistency of those 90s albums. In 2003, Hughes released ‘Songs In The Key of Rock’, an album that pretty much showed off his full vocal range on a collection of brilliantly constructed hard rock tunes.
Def Leppard to release ‘Early Years: 79-81’ box set in March
Def Leppard will release a new box set, ‘Early Years: 79-81 on March 20th. The 5CD package provides a comprehensive collection of the band’s work prior to the arrival of Phil Collen and the release of 1983’s multi-million selling ‘Pyromania’.
Included in the box set are the band’s first two albums – 1980’s ‘On Through The Night’ and 1981’s ‘High & Dry’, alongside the relevant b-sides and single releases.
YUR MUM – Ellipsis EP
A few seconds into this 2019 EP from London based two-piece rock band Yur Mum, it becomes evident that first impressions most definitely do not apply. ‘What Do You Want?’ wastes no time in cranking a huge riff – part 90s metal, part stoner rock – that makes the band sound like a cross between Godsmack and the heaviest parts of Shinedown. It’s most definitely not what you’d expect from a band who’ve decided that a moniker like Yur Mum best represents them. As the track progresses with a mid-paced, absolute crusher of a riff – something that’s brilliantly juxtaposed with Anelise Kunz’s howling and almost brattish vocal – you’ll soon realise that, despite appearances, these guys are serious. …And then, with a teeny bit more time to acclimatise to their heavy sound, you’ll then realise that the brilliant, groove laden riffs have enough force and volume to take on a full spectrum of moods. Nope, this is certainly not the work of a band whom, in name terms, might have you believe they were a teen pop-punk phenomenon.
GLENN HUGHES – Addiction
Two years after the release of the soul tinged ‘Feel’, Glenn Hughes returned with ‘Addiction’ – an album that couldn’t be any more different from its predecessor if it tried. With Hughes in the middle of a work frenzy, ‘Addiction’ found him not only returning to hard rock in a big way, but delivering his heaviest solo album to date.
‘Addiction’ is an album that has weathered all kinds of musical storms and from both a performance and production value still sounds absolutely terrific. Not that it was well received by everyone upon release back in 1996. Some older listeners felt that Hughes had adopted “grunge sympathies”, a lazy, somewhat ignorant claim that seemed to miss the fact that the album is also varied in style. Decades on, such claims seem even sillier, as with the passing of time, Soundgarden – and sadly missed vocalist Chris Cornell – have very much joined the pantheon of classic rock acts and Cornell’s approach to vocals never seemed that far removed from the likes of Glenn Hughes and David Coverdale anyway. [If you’re still blinkered enough to not believe this, the proof is there in tracks like Temple of The Dog’s ‘Call Me A Dog’ and ‘All Night Thing’.]