DRAGON WELDING – This Maintenant / Instrumental

With ‘Up & Away’, Dragon Welding released one of 2025’s greatest singles. The track’s mechanical heart combined with a repetitious hook created something so insanely catchy, it became impossible to resist. It was certainly one of those tracks that stayed with the listener long after it ended, setting up great hopes for its parent album ‘The Naughty Step’.

In itself, ‘The Naughty Step’ brought lots to enjoy. Although the bulk of the record wasn’t anywhere near as instant as ‘Up & Away’, its best material had a little more of a commercial edge than previous Dragon Welding works, taking the synth based sounds of one of the UK’s most cult bands into more melodic places.

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TOMBSTONES IN THEIR EYES – You Don’t Have To Love Me / Everybody’s Dead

With just a few weeks left of 2025, US deep psych/shoegaze band Tombstones In Their Eyes released not only one of the best albums of the year, but one of the best of their career. Some of the material felt a little bit samey if heard in one sitting, but the band’s command of a riff and ability to weave a great atmosphere allowed the material on ‘Under Dark Skies’ to work brilliantly when approached in the right mood.

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UNBURIER – As Time Awaits EP

When it comes to showing off the more technical aspects of their sound, English death metallers Unburier really don’t waste any time. The intro to this EP’s lead track ‘Continuum’ kicks off with a time signature that constantly shifts, taking the band’s extreme heaviness away from traditional death metal roots and into the realms of a prog-death blend. It proves to be a great showcase for the band, as it really throws a spotlight onto drummer Kim Hughes as he shifts effortlessly between fierce pneumatics and heavy groove laden rhythms with ease. Dropping in a couple of unexpected stops, this really accentuates the more progressive approach taken.

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RYAN HAMILTON – The Come To Jesus Moment / You May Be Right

In a just world, the name Ryan Hamilton would be one of those dropped into musical conversations often, but over the years, the US singer-songwriter has had to settle for achieving a Marshall Crenshaw-like cult status. Whether as a solo performer or as frontman of the Harlequin Ghosts, of course, he’ll be more than familiar to fans of retro sounding college rock, power pop and indie infused country rock.

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DONNIE VIE – Plain Jane / Instant Karma

For power pop fans, singer songwriter Donnie Vie will need no introduction. With Enuff Z’Nuff, he lent his vocal and songwriting chops to a string of great albums, released at a time when a blend of Cheap Trick obsessions crossed with a 60s inspired, flower power cool was decidedly uncool. Their first three albums (‘Enuff Z’Nuff’, ‘Strength’ and ‘Animals With Human Intelligence’) are cast iron classics which still play brilliantly, decades after the fact. During the second half of the nineties and beyond, the band’s tendency to take a cut ‘n’ paste approach to making albums could be frustrating, but for the more patient fan, there was always a little more gold to be mined, and an on-form Vie continued to show his very natural melodic gifts on tracks like ‘There Goes My Heart’, ‘Believe In Love’ and ‘What Can I Do?’

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