OREYEON – The Grotesque Within

On their 2019 LP, ‘Ode To Oblivion’, Oreyeon delivered a set of songs driven by absolutely crushing riffs. Blending the stoner/fuzz of classic Kyuss into a doomier musical landscape, the record’s best songs were unrelentingly heavy, and yet a world of vocal filters and other tricks sometimes gave their sound a deep psych edge which kept things interesting. Over the next few years, Oreyeon would become an important fixture within the Italian doom and sludge scenes. By the time they recorded ‘Equations For The Useless’ in 2022, a much bigger recording budget gave them a slightly clearer sound, but without making their material especially more accessible. If anything, it cemented the band’s reputation as one of Europe’s finest underground metal bands.

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MICHAEL DES BARRES – Kiss Or Kill Me / I Was Saved In ’64

In 2023, just at the point where the world was getting back on its feet having spent a few years knocked out by a global pandemic, the legendary Michael des Barres teamed up with pop/rock pianist Kris “Fingers” Rodgers and recorded a couple of excellent singles. Although, on paper, a union between the relatively young, relatively unknown musician and the veteran vocalist seemed like a slightly odd one, the contrast of styles and coming together of two generations actually worked. Both ‘Bounce Back Baby’ and ‘Soul Shake’ were brilliantly upbeat affairs that genuinely brought out the very best in both musical parties.

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MALA VISTA – Snub Nose .38 EP

On their 2024 release ‘Fun Time’, Mala Vista tore through nine tracks of relatively no nonsense, guitar driven material that carried the spirit of ’77 and the sounds of CBGB’s into the twenty first century. Although always more melodic than their fellow countrymen Lower Class Brats and The Casualties when approaching punk, at the release’s best, Mala Vista still conveyed a rough and ready sound. Maybe more importantly, it showed they could whip up some great arrangements: ‘Juana Le Cubana’ took a detour from punk into garage rock and power pop that sounded like an unreleased Real Kids number, and a couple of other tracks shared punk ‘n’ roll lead guitar breaks, proving further that classic sounds never really goes out of style.

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MERCURY’S ANTENNAE – The Veil Opaque EP

Mercury’s Antennae are one of those bands who have a natural affinity with a very 80s inspired goth sound. Their ‘Among The Black Trees’ album (released in March 2025) presented nine tracks with a cold yet inviting sound, often heavily dipped in the waters of nostalgia. However, with goth sounds so well played, the release was impossible to resist. The Sisters of Mercy-esque ‘The Reflecting Skin’, Cocteau Twins tinged ‘As I Lay Hidden (Deer Island)’ and the stripped back, haunting tones of ‘Language of The Stars’, in particular, stood out, forming a trio of tracks that were among the band’s very best.

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Premiere: DIZZY! share new single and video ‘Do You Want To?’

At the beginning of 2025, funk and pop duo DIZZY! released the ‘Hot Mess’ EP, sharing four tracks of well produced, soulful material that really captured a mood that seemed set to soundtrack the summer. The music, drawing influence from various corners of 70s and 80s soul and pop, was pin-sharp, but the material really came into its own when shining a light on DIZZY!’s vocal blend. David and Izzy Gruner’s vocals were obviously a natural fit with each other, with Izzy’s brighter tones sharing an especially pleasing tone. Despite featuring just four tracks, the EP was genuinely varied: the DNA from Lenny Kravitz’s ‘It Ain’t Over ’It’s Over’ could be found on the stand out cut ‘Bitter’; a great blend of pop and soul showed off the duo’s more buoyant side on the brilliant ‘Mess’ and ‘Crybaby’, while ‘Too Late’ even teased with lounge jazz.

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