Rayon’s ‘Colour’ album – released in October 2022 – presented twelve tracks of pleasingly angular indie/post rock throughout a vinyl friendly forty minutes. Although there were times when main man Eric Sabatino’s work couldn’t claim to be one hundred percent original, the best bits of that long player were hugely entertaining. The highlights really showed off a band who could work a great riff: ‘Canada’ attacked with a harsh guitar sound coupled with a funky bassline, sounding like a deep cut from XTC’s ‘Drums & Wires’ before introducing a faintly psychedelic vocal; ‘Come Along’ mixed classic indie rock riffs with a finely tuned sinister edge, occasionally sounding like Robyn Hitchcock fronting the early 80s Cure, and ‘Blue Nights’ applied a fierce jangle and contrasted that with a vocal that was far more attuned with a dream pop sound, creating something surprisingly effective.
Category Archives: Album & EP Reviews
Listen: UltraBomb share new single ‘Artificial Stars’
Some bands look great on paper, even before you’ve heard a note. That certainly applies to alt rock/melodic punkers UltraBomb. Featuring musicians associated with Minneapolis scene legends Soul Asylum and Hüsker Dü along with a member of Social Distortion, Ultrabomb is a legacy act in every sense.
TOMBSTONES IN THEIR EYES – Under Dark Skies
Following 2024’s ‘Asylum Harbour’ – which featured a pair of very strong singles, ‘Mirror’ and ‘Gimme Some Pain’ – LA’s Tombstones In Their Eyes sound equally enthused on their sixth full length release ‘Under Dark Skies’. The record’s ten tracks take in some mighty riffs, mixing the huge sounds of shoegaze with the haziness of old school psych, adding a pinch of blues and a sprinkling of goth along the way, to create something that’s often very rewarding.
ALREADY DEAD – I Think It’s Time To Leave… EP
The first new music from the Boston punks Already Dead in almost a year, the band’s 2025 EP ‘I Think It’s Time To Leave…’ is in danger of being over as soon as it’s begun. Packing five high octane numbers into a little over ten minutes, the release barely gives the listener time to catch their breath, let alone provide an ideal opportunity to take stock of what they’re hearing. In terms of blending the classic Ramonescore sound with some old school, sometimes very British sounding punky thrills, the material really hits the mark, though, regardless of the release’s obvious brevity.
Watch: Oreyeon relive ‘Echoes Of Old Nightmares’ in new video
On their 2019 LP, Oreyeon delivered a set of songs driven by absolutely crushing riffs. Blending the stoner/fuzz of classic Kyuss into a doomier musical landscape, the record’s best songs were unrelentingly heavy, and yet a world of vocal filters and other tricks sometimes gave their sound a deep psych edge which kept things interesting. Over the next few years, Oreyeon would become an important fixture within the Italian doom and sludge scenes. By the time they recorded ‘Equations For The Useless’ in 2022, a much bigger recording budget gave them a slightly clearer sound, but without making their material especially more accessible. If anything, it cemented the band’s reputation as one of Europe’s finest underground metal bands.