Category Archives: Album & EP Reviews

PROTON PACKS – The Concept Of Infinity / Psychokenesis

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In 2018, Italian punks Proton Packs contributed a couple of tracks to an excellent split EP with fellow Italians The Livermores which acted as a superb primer for both bands. The Livermores had already started to gain traction with their Ramones obsessed sound, but for a lot of people in the UK and the US, that split provided a superb introduction to their space-obsessed friends.

Throughout the tricky years that followed, Proton Packs weren’t especially prolific by “usual” punk band standards, but they trucked on, and their subsequent full length release ‘Paradox’ cemented their obsessions with old Ramones riffs, b movies and cheap sci-fi. It was a great record; however, it still wasn’t enough for them to get the regular name checks alongside The Apers, The Manges and Mega they so deserved.

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KING KOBRA – We Are Warriors

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When it comes to consistency and quality, a new record from King Kobra doesn’t come with any guarantees. Their 1984 debut is a fun melodic metal affair, and its timely delivered follow up ‘Thrill of A Lifetime’ is a decent melodic rock LP, but beyond that, their catalogue is largely pretty bad. 1988’s ‘King Kobra III’ is loaded with tuneless metal fare that’s blighted further by terrible vocals from Johnny Edwards (a poor substitute for the absent Mark Free), and the band’s first two reunion albums (2011’s ‘King Kobra’ and 2013’s ‘King Kobra II’) are heavily weighted towards party metal workouts full of really embarrassing and clichéd lyrics.

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STREETLIGHT – Ignition

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Fashion be damned! Swedish melodic rockers Streetlight champion a very commercial blend of AOR and melodic rock on their 2023 album ‘Ignition’. Capturing a perfect sound that celebrates some of the scene’s greatest bands and influences from those 1987-89 glory days, it’s an album packed with massive choruses, but comes with an even bigger concession to brilliantly played, shiny sounding keyboards. There are few musical surprises, but a whole world of giant hooks will ensure lovers of old school AOR will find a near instant liking of the Streetlight sound.

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FRED ABONG – Fear Pageant

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Although he’ll be best known to most people as an ex-member of Throwing Muses and Belly, singer-songwriter/multi-instrumentalist Fred Abong has carved out a solo career exploring some interesting lo-fi sounds. On the ‘Homeless’ and ‘Pulsing’ EPs, he introduced audiences to his minimal approach to arrangement, and with just voice and electric guitar, the best material contrasted angular noises and introspective lyrics on tunes that sometimes felt like audio sketches. Although strong on record, these tunes really sprung to life in the live setting, but every artist needs to move forward, and by the time of 2022’s ‘Yellowthroat’, his recordings had expanded to include mellotron, piano extra vocals and felt altogether warmer without losing focus of his lo-fi signature sound.

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AL PACINOS SISTER – Trans Sister Radio EP

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In May 2023, Al Pacinos Sister released a three track EP entitled ‘Trevor’. For those who’d followed the band’s progress to date, its material shared a trio of brilliant punky tunes. ‘Impossible’ applied an unexpected layer of synth noises, but this didn’t dilute the anger in any way. The pointed way in which the synths added to the APS sound merely confirmed any feelings that these anonymous, faceless musicians were among Britain’s best underground noise makers.

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