As the name suggests, Skinher is a project helmed by bassist Kyle Skinher, also of prog metal band Hail Spirit Noir. In the main, this band couldn’t be further removed from his “day job”, since it abandons most proggy aspects and the heavier end of the metal spectrum in favour of some massive haired, retro hard rock thrills. Kyle claims the influences come from the likes of Yngwie Malmsteen and everyone’s favourite Ghost, but the truth is that the best parts of ‘Heartstruck’ are even more retro – and sometimes more melodic than both. This is a record that really taps into the melodic rock and metal sounds of yesteryear, to the point where you’d expect to find it propping up the release schedule on a label like Frontiers Records.
Category Archives: Album & EP Reviews
DAS KAPITANS – Lungs EP
The thirteenth release from Das Kapitans (2022’s ‘Debut’) marked a turning point for the band. Not only was it the first release where all of the band members played on all tracks, but the album appeared to have a much more confident and bigger sound. Bigger didn’t necessarily mean more commercial, of course, and on numbers like ‘That’ll Do Pig’ and ‘Big Muff’, their combination of post punk anger and Mudhoney-esque energy sounded absolutely furious. It was the kind of album that captured the band’s raw essence perfectly. If that didn’t help to build their fan base via enthusiastic word of mouth via the internet, nothing would. Not that Das Kapitans are in it for the fame and fortune; as founders of the Socks On record label, their commitment to the ideals of a musical collective and keeping things DIY is solid, and the music comes above everything else.
ABIURO / FALSE GODS – Split EP
It’s East vs. West on this sludge metal face-off from Doom Fujiyama Records when Japan’s own Abiuro go head to head with New York riff beasts False Gods. Two of the scene’s heaviest bands together on one release automatically ensures a doomy delight, but the stakes are even higher when both acts turn in some of their most immense riffs to date.
THE JACKLIGHTS – Womanchild / Underachiever
In terms of releasing their debut EP, the timing couldn’t have been any more unfortunate for The Jacklights. The Covid pandemic meant that they couldn’t put in the promotional hard yards in front of a home crowd; instead they were forced to rely on word of mouth and strong online press support to get things rolling. However, those who found the band around that time seemed very supportive, and with good reason. Although a few of the vocals were a little loose, the release showcased a solid band whose stock sounds – falling between classic, US-centric college rock and 90s punk – really delivered in terms of chunky melodies.
FOGHAT – The Complete Bearsville Recordings 1972-1975
Arguably the most American sounding act to ever come from the south of England, Foghat quickly became big stars in the US, but are often massively overlooked by UK audiences when it comes to classic rock. One of the most underrated bands from the 70s and 80s, their best work comes with plenty of enthusiasm, and a whole lot of muscle. Even at their peak, they never really strove for originality, but there’s so much about their sound that should have placed them in a similar standing with the early ZZ Top. Whereas the bearded ones’ early releases continue to be praised by UK rock fans and press alike – particularly 1973’s ‘Tres Hombres’ – the best that Foghat seem to have been afforded, at least in terms of popular culture, is a song or two on an occasional film soundtrack.