British indie pop band James are beloved by many and have released a fine run of singles over the decades. ‘Come Home’, ‘Sound’ and ‘Getting Away With It’ are arguably among their best, but it’s only really ‘Laid’ and mega-hit ‘Sit Down’ that get heard on radio or in public with any kind of regularity. ‘Sit Down’ has become so overplayed over the years that you might not feel like you ever want to hear it again.
Author Archives: Real Gone
MEGAFAUNA & HOMESICK GHOSTS – Nature Is Healing EP
An array of inaudible voices greets the listener at the beginning of this EP, almost as if eavesdropping on a field recording of train station announcements sourced from a damaged cassette. With the arrival of a repeated three note keyboard riff lurking beneath a world of ambient sounds – ranging from something that sounds like the rhythmic clatter of trains on tracks, to noises that evoke imagery of workmen shifting huge piles of rubble – it’s clear that this listening experience will be more about creating a mood than enjoying any “traditional” music.
Listen: Stephen McCafferty shares new track ‘I Only Want To Hear Sad Songs’
Throughout the first half of 2025, Scottish singer songwriter Stephen McCafferty has released a run of excellent singles, and here’s another. ‘I Only Want To Hear Sad Songs’ features a distinctive voice, but otherwise sounds very different from his rocky ‘Rubber Glove’.
MAX RAEL – The Enemy Is Us
Barely three lines into the opening number of his solo debut, experimental musician Max Rael has already embraced differences not being like anyone else and told his audience he feels exhausted. The frankness in which the artist’s neuro divergence is discussed throughout ‘Slightly Less Than Human’ is a signifier of the album’s honest approach as a whole. ‘We Are The Enemy’ isn’t so much a collection of songs; more a world of personal statements, shared with a heart and disarming honesty, but also with the hope that Rael will attract kindred spirits. Obviously, this doesn’t aim for a broad commercial potential, but as albums go, it’s never less than interesting.
CHIMPAN A – Saviour / Wichita Lineman
In April 2025, pop proggers Chimpan A (featuring Magenta’s Robert Reed and an assortment of musical friends) released a superb version of Peter Gabriel’s ‘Here Comes The Flood’. It managed to be reverential of the original recording whilst bringing a new slant via a modern production sound, and also shared a downtempo feel that felt half a world away from the ex-Genesis man’s musical interests. Coupled with the self-penned ‘Wolves’, the release marked a great return for the band after a few years away. This second two track release follows the same format – a Chimpan A original, joined by a well known tune sourced from the band’s many influences – and achieves a similarly impressive result.