BROCKLEY FOREST – The Die Has Been Cast EP

brockley forest epThey’ve been friends forever; they’ve toured America; they’ve supported Honeyblood and released a couple of excellent EPs – a self-titled disc in 2013 and 2014’s ‘Second Nature’ – and yet after years of sweating it out, Bristol’s Brockley Forest are still very much an underground act.  Their third EP, 2015’s ‘The Die Has Been Cast’ not only marks a welcome return, but also showcases a much broader musical spectrum than anything the duo has committed to tape previously.

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NICK FLORA – Futureboy EP

futureboyAt the beginning of 2015, Nashville-based singer songwriter Nick Flora set out on a mission.  That mission was to raise enough funds to record three EPs’ worth of all-original material for release throughout the following year.  The first of those releases, ‘Futureboy’, places Flora squarely within the powerpop mould – it’s five songs bringing a few sunny vibes at a time when the actual summer begins to bid the northern hemisphere goodbye.

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LEWIS & LEIGH – Hidden Truths EP

lewis & leigh epLet’s not mess around here: fans of Americana will be absolutely smitten after just one listen to this EP from alt-country duo Lewis & Leigh. Their third release in under a year, ‘Hidden Truths’ has a heart wrenchingly gorgeous sound, bringing a perfect blend of country and folk, with a smidgeon of a Wilco-ish influence in the guitar department.  Coming together from solo projects, hearing Alva Leigh and Al Lewis harmonise is to hear something natural and pure – voices that belong together as much as Lindsey Buckingham and Stevie Nicks, as Gram Parsons and Emmylou Harris, and these four songs have the natural flow of performers  who sound as if they’ve been playing together for years.  The fact that at the time of this release Al Lewis and Alva Leigh had only been writing and performing together for a short time only makes ‘Hidden Truths’ all the more remarkable.

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NINE MILES SOUTH – Nine Miles South EP

Nine Miles SouthSituated in middle-class Surrey, Guildford is hardly the epicentre of British rock.  Aside from The Stranglers, few bands have ever put that town on the map.  It was the location for Carter USM’s final show first time around – a show succinctly described as “shit” by frontman Jim Bob – and is only a few miles away from where Paul Weller began his illustrious career with The Jam, but even so, it could hardly hold a candle to Camden, Newcastle or Coventry for historic musical thrills.  In this respect, Nine Miles South are possibly the best thing associated with Guildford since fictional character Ford Prefect decided to call it home after his relocation from Betelgeuse.

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