My Cruel Goro’s debut EP bought back memories of the 90s, recycling the most energetic parts of bands like Ash and S*M*A*S*H with a touch of the multi-national trio’s own charm and a genuine gusto. DIY blogs gave the release some very positive notices and there was a definite feeling the band would be back with new material pretty quickly. Just five months down the line, the band teased with a new track ‘Lost E’, which proved early fan enthusiasm was not misplaced and also suggested that the upcoming release would be better than their first.
Author Archives: Real Gone
NINE EIGHTEEN – Animals EP
Creating your sleeve art from public domain photos certainly saves on costs, but who knew the kid with the colander on his head was so popular? This EP marks at least the second time in the first quarter of 2016 he’s put in an appearance. To be fair, though, there’s a big musical gulf between the work of Rick Springfield and New Jersey pop-punks Nine Eighteen. Each one hugely talented, but never the twain shall meet, as they say.
HOBO MAGIC – Hobo Magic
From Brisbane comes classic metal/stoner metal band Hobo Magic; a band deep into the sounds of early Sabbath and more than ready to shake their audience with a rather fierce bottom end. There are hundreds of bands out there churning out post-Kyuss riffage, of course…so many, in fact, that it’s easy for many of them to be overlooked, or indeed, lost in the noise. Fans of the style should make a special pilgrimage through the realms of the internet’s countless stoner bands to find Hobo Magic, for musically, they have something special that really sets them apart.
DRAMA / PERDITION WINDS – Split EP
A release delayed several times due to label problems, this split EP eventually appeared at the end of 2015. Featuring previously unreleased material from Russia’s Drama and Finland’s Perdition Winds, the three tracks showcase two very different slants upon a black metal theme.
PARADIGM – Realize EP
When a band has the balls to plug themselves as having “Muse’s raw power and the cinematic sense of 30 Seconds To Mars, fenced with Pink Floyd’s artistic approach” you’ve kind of got to love their fearlessness, but you know there’s a good chance you know they’ll never live up to their own hype. Press releases are often grand, but when such broad claims are made about a debut four track release, there’s every chance they’re just setting themselves up for a fall…and from a great height at that. London’s Paradigm are armed with a big sound – helped no end by producers Paul Corkett and John Cornfield (studio hands on works by Bjork, Muse, Robert Plant and The Cure, among others) – but aside from a few fleeting similarities to Muse in the guitar department, there’s little else that connects to those comparisons. Luckily, it’s Muse’s guitar crunch that inspires them and not Matt Bellamy’s godawful vocals…