When New York duo The Demos released ‘Lovely‘ back in the mists of 2011, it was obvious that they recognised a hook and knew their way around a reasonable alt-rock/power pop arrangement. Sadly, the lo-fi nature of that recording, essentially demos passed off as a finished product, didn’t really show them at their best. There were at least a handful of tracks scattered among the dozen that wanted – even needed – a much better send off than they were afforded.
Author Archives: Real Gone
MASON SUMMIT – Gunpowder Tracks
For a man of just nineteen years of age at the time of recording this third album, Mason Summit’s songwriting ability stretches way beyond his years. On these twelve songs he applies his craft to retro sounds aplenty, on songs that span AM radio pop, country and occasional jazziness. In doing so, he comes up with a winning formula that should appeal to those who like their music to have a familiar echo of the past. Of all the superb qualities that ‘Gunpowder Tracks’ possesses, however, it is the over-riding sense of warmth that wins out and really makes the album so inviting.
HANDS OFF GRETEL – Burn The Beauty Queen
Fronted by singer-songwriter Lauren Tate, Hands Off Gretel’s 2016 full length ‘Burn The Beauty Queen’ is unashamed in borrowing a lot of influence from the 90s. With elements of Nirvana, Hole and occasionally the more tuneful edge of various other alt-rock and grunge sources, its tracks take a trip through a world of big riffs on songs with a very female perspective. Almost like the missing link between Hole’s classic ‘Live Through This’ and their far more commercial ‘Celebrity Skin’, it’s an album that’s very well put together – the production is excellent, the playing very good, the songwriting often possessing a spirited quality – but it’s also sometimes a bit too calculated, like experiencing the riot grrrl movement through a Tim Burton filter. For all of their talent, Hands Off Gretel appear as a garish, stripy legginged, teen goth fantasy of what the grunge fuelled early-mid 90s were like, had there been no surviving archival references. The album in turn almost presenting the past as if Courtney Love were only remembered via folk tales passed down through a generation.
KURT SHANKS – Blood Line Heart
In the autumn of 2011, Kurt Shanks released his solo debut EP ‘Seven Flights Up‘, a short mixed bag of styles that gave a fair overview of his broad talent. Ranging from thoughtful acoustic twiddles to solid singer-songwriter fare to the title cut’s rhythmically heavy workout, it promised good things for the full-length which was due to follow at some point in the coming year. It felt like a long wait – almost exactly a year, in fact – but it was ultimately worth it, since the eleven tunes on ‘Blood Line Heart’ provide a much better look into the workings of a gifted songwriter…and in lead single ‘Shake Shake Shake’, the world gets an immediate power pop classic.
BULLET PROOF LOVERS – Bullet Proof Lovers
Since the release of his 2012 full-length ‘Brand New Beat’, Kurt Baker’s career has gone from strength to strength. Having gained a rabid following in Europe, he attracted the attention of various Spanish musicians and, it’s with them, he formed the Bullet Proof Lovers in 2014. Not only a brand new beat for Baker, but almost a brand new suit, as here he (mostly) ditches the skinny ties and eighties fuelled power pop for something more hard hitting.