Madness to release career spanning ‘Hit Parade’ in November

Madness have been well served by compilation albums in the past. Their 1982 release ‘Complete Madness’ brought together a complete run of the band’s hits up to that point, making ‘House of Fun’ and the single version of ‘Return of The Las Palmas 7’ (with extra sax during the final section) available on a full length release for the first time, and also threw in a random b-side ‘In The City’ for good measure. The later ‘Divine Madness’ was a little more purist in its approach, but gave pride of place to the later hits ‘Michael Caine’, ‘The Sun & The Rain’, ‘Wings of A Dove’ and ‘One Better Day’, showing how much the Camden Nutty Boys had matured as musicians and songwriters in the short time since the release of ‘Complete Madness’ and the band’s split just a few years later.

Continue reading

Watch: Levellers release video for “lost” track ‘Alive’ ahead of ‘Zeitgeist’ reissue

Sometimes, “lost” tracks are lost for a reason. One in a while, though, a gem will surface from the vaults that has the power to make fans not only sit up and listen, but actually question why such a great recording could’ve been shelved in the first place.

Such is the case with ‘Alive’, a track from the Levellers archive, released as a single as part of the pre-release promotion for a 30th anniversary reissue of the band’s much loved fourth album ‘Zeitgeit’. Huge fans will, of course, recognise ‘Alive’ as having pride of place as part of the bonus tracks on the “special edition” of the Levellers’ 2017 release ‘Notes From The Underground’, but its inclusion on a reissue of a far more celebrated release is guaranteed to introduce it to new ears.

Continue reading

PERPACITY – Lille Flamme EP

Taking a side-step from the relatively accessible English language material that filled their 2023 album ‘Discordia’, ‘Lille Flamme’ showcases Perpacity’s multi-national heritage by presenting songs in Danish. The release also feels markedly different in its choice to share a couple of spikier arrangements, which sometimes gives the English-Danish duo’s work a darker and more intense quality. These factors mean the material is possibly geared a little more towards those who are already familiar with Perpacity, but you certainly couldn’t accuse them of merely repeating themselves and adopting a safe and formulaic approach to their art.

Continue reading

SUPER GLUE ANXIETY – First Row Seats

When a band advertises themselves as crossing genres, their reasoning and chosen styles can sometimes appear quite obvious. The world has seen a vast amount of rap metal and ska punk blends. The marriage between country and rock is a hugely natural one, and also the decision to give folk a bit more muscle with the assistance of indie and rock often works really smoothly. What if a band decided to chuck a load of different styles together without any thought to how naturally they would work together? Chances are, you’d discover a musical landscape like the one inhabited by Finnish musicians Super Glue Anxiety – a band who aren’t easing anyone into a world of weird gradually, but choosing to hit their audience between the ears with a cocktail of oddity on their debut album with zero regard for commercial potential.

Continue reading