The second single from Peterborough’s Beat Me Outta Me is a pleasingly downbeat affair. It’s first two minutes comprises slow, acoustic strums and a mournful vocal, drawing the ear very casually. The music isn’t exactly minimalist, but has certainly been arranged in such a way that the listener is made to focus almost exclusively on Annie Dickson’s fantastic voice. This is a smart move; from the outset, she shows an ability to weave a fantastic, almost mournful tone that suits the arrangement perfectly.
Author Archives: Real Gone
LAEL SUMMER / THE LAEL PROJECT – Do What You Want, Be Who You Are / Make You Whole (Remix)
Appealing to pop performers, jazz musicians, and even a section of the melodic rock crowd, the music of Daryl Hall & John Oates is incredibly enduring. In talented hands, their work takes on new life, often sounding like something written for the performer in question.
THE REAL GONE SINGLES BAR #122
Welcome back to the Singles Bar, the place where we explore some of the more interesting individual tracks that have landed in our inbox. This time out, we’ve got a familiar name taking a new musical twist, a couple of genuinely great pop tunes, a complex metal-centric banger from an up and coming act, and even a bit more jazz. Celebrating a variety of new sounds, we hope you find something to enjoy!
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Finnish black metallers Verilehto share new video for ‘Aarnihauta’
On November 28th, Finnish black metal band Verilehto return with their second album ‘Aarnihauta’. As part of the early promotion, they’ve issued the title cut as a digital single.
The first new music from the band in two years, ‘Aarnihauta’ is surprisingly melodic. The opening riff doesn’t confront the listener with a typical sheet of abrasive black metal noise, but comes closer to a world of melodic thrash. By adopting more of a mid tempo, the riffs have room to breathe, and in places owe more to the likes of Testament and Soufly than Emperor.
THE CANDY SNATCHERS – Good Riddance / Round Up
On their self titled record from 1996, The Candy Snatchers ripped their way through sixteen high octane tracks in a little over half an hour, setting a brilliant punky blueprint that would suit the band going forward. With tunes like ‘Yeah You’ and ‘Haunted Road’ playing like an unholy hybrid of the Misfits and Electric Frankenstein, and ‘Sauced Again’ tapping into some even more razor sharp rock ‘n’ roll, the band immediately set themselves in place as a force to be reckoned with.