SAXON – Carpe Diem

In terms of tenacity, there are few bands to rival Saxon. During the 80s, the band found themselves among the top tier of British metal acts and, for a time, they seemed unstoppable. Changing fashions meant they fell hugely out of favour throughout the nineties – especially with the press, and especially in the UK – but due to the grit and determination of frontman Biff Byford and guitarist Paul Quinn, the Barnsley boys ploughed on through some pretty lean times, and eventually rode high again in the twenty first century. Off the back of a run of strong albums beginning with 2011’s ‘Call To Arms’, Saxon became popular fixtures on festival bills once again and gradually reclaimed their place as one of British metal’s most important acts.

A global pandemic forced the band off the road in 2020. Robbed of their most natural environment, Biff and company resorted to that time honoured stop gap, the quickly completed covers album. ‘Inspirations’ featured a couple of interesting choices, but was one of those projects that was better in theory. It wasn’t a great release, but it did an important job in keeping everyone’s spirits up until some form of semi-normality returned. It was but a temporary blip, though, since heir twenty third studio album ‘Carpe Diem’ – released in February 2022 – truly reignites the twin engines of Barnsley’s finest denim and leather sons, and features at least a half dozen potential classics among its ten high octane cuts.

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Grab some free music from They Might Be Giants

Considering January is supposed to be the longest and most miserable month, February 2022 seems to be going on forever.  Between a world seemingly dominated by bad news, and the UK braced for not one, but two storms – it feels like things will get worse before springtime eventually hits.

We all need a distraction, and the two Johns from They Might Be Giants have the very thing.  For the next few hours, they’re offering everyone two digital album releases FREE of charge.

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Watch Kurt Baker’s new animated video for ‘New Direction’

In the age of streaming and the likes of Spotify supplying a world of new tunes at the push of a button, it sometimes feels as if music has become a disposable commodity.  Albums often appear, get a six week promotional cycle and then disappear just as quickly, leaving the consumer to move on to the next quick hit.

Good music deserves far more of a shelf life. How else are new releases allowed time to grow into the new ‘Pet Sounds’ or ‘Born To Run’?  Nobody understands how important it is to cling onto great music than Kurt Baker.  He’s still busily promoting his 2020 album ‘After Party’.  Since that album was released, he’s relocated back to the US, hooked up with his old bandmates (including Kris Rodgers of Dirty Gems fame), and started playing new gigs in support of the record. There’s so much about it that could be his best to date, so it really deserves this ongoing love.

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WHITE TUNDRA – Honningfella EP

After spending a couple of years perfecting their riffs and honing a heavy, retro sound, Norwegian stoner rockers White Tundra unveiled their debut EP ‘Graveyard Blues’ in the middle of the 2020 global pandemic. Their weighty Monster Magnet/COC influenced sounds were a perfect compliment to a troubled time, and proved yet again that a tried and tested heavy psych/stoner sound could still impress when delivered with a lot of confidence and a few massive hooks. The title cut, in particular, with its chugging riff, gravelly vocals and rattling bassline – at times sounding as if a direct descendant of ‘Children of The Grave’ – set White Tundra on the road to stoner greatness, but ‘Freedom Fighter’ with its heavy and lurching anger suggested they’d have more to give than your bog standard stoner copyists.

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THE RADIO BUZZKILLS – Get Even

After a couple of rough but very cool demo recordings, The Radio Buzzkills crashed their way onto the punk scene in 2018 with ‘Get Fired!’, a full length debut that melded the heart of classic 90s pop punk with a tougher edge, some killer choruses and a whole world of confidence. Despite a few teething troubles during the album’s creation, it ended up being one of the year’s best releases – of any style or genre. The band later took their undying love of Screeching Weasel, Ramones and a truckload of Lookout! Records artists and created the tougher sounding – but no less great – ‘Get Lost’, which gained them further enthusiastic press.

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