Formed during the pandemic lockdown of 2020, Yorkshire’s Cliché Cult gradually built an online following via the release of a half dozen digital singles. The band’s mix of indie, post punk and energised jangling guitars set them out as a band to watch. In addition, the tonal shift between the Bunnymen-ish ‘Plastic World’ single in 2022 and the semi-funky ‘Veronica’ (released in March ’23) suggested they were a band who weren’t about to play things safely, or get pigeonholed.
Author Archives: Real Gone
TOMMY STINSON’S COWBOYS IN THE CAMPFIRE – Wronger
Tommy Stinson is a legend. His work with The Replacements provided the heart of the Minneapolis punk scene in the early 80s, and by the end of the decade, the band’s more melodic sounds had paved the way for varying styles of alternative rock. With his other often overlooked bands Bash & Pop and Perfect, he took the Replacements’ sound even further, dabbling with power pop and even rootsier sounds. With that in mind, although this release from his Cowboys In The Campfire is billed as a “country album”, it’s best bits aren’t quite as massive a musical shift as some people might believe.
THE REAL GONE SINGLES BAR #9
Welcome back to the Real Gone Singles Bar, the place where we explore some of the individual MP3s that have landed in our inbox over the previous few weeks. This time, we bring you a selection of rock tunes, a slab of melodic punk from Australia, and an indie/disco crossover that’ll be hard to beat. As always, we think this represents a great selection of current musical treats, and hopefully you’ll discover something new.
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POLLYANNA BLUE – Trials & Tribulations EP
This debut EP from Pollyanna Blue is a short but amazing work. Latching onto a style where the alternative elements collide with a heavy electronic groove, they sometimes come across like a heavy version of Metric and Transister, but the musical duo wield some serious muscle and add their own much harder edge to a genuinely classic sound.
REDEYE CARAVAN – Snake Oil & Lullabies EP
Formed in 2019, Greek band Redeye Caravan bill themselves as “dark country”, but their sound runs far deeper than that. For those people who are country averse, it’ll come as a relief that they don’t necessarily fit the country mould – or certainly not as a lot of people would perceive it. For example, the brilliant ‘El Muerto’ from their 2020 album ‘Nostrum Remedium’ actually plays more like a swamp blues; a landscape where acoustic slide guitars meet haunting harmonica lines and a gruff vocal comes a little closer to the work of Molly Hatchet. The same record features a choir of vocals exploring some moody folk sounds (‘Banshee’); a marriage of hefty twanging guitars and whistled melodies on a piece that’s clearly modelled on an Ennio Morricone score for a Western (‘Old Debt’), and even a mix of blues and cajun (‘The Road North’). There are hints of something a little more traditional when ‘At Gallows End’ plays more like a moody Johnny Cash number by way of Mark Lanegan, but it would be hard to pigeonhole the whole affair as “a country record”.