Magnum’s twenty second studio album, 2022’s ‘The Monster Roars’, came as a welcome surprise. Although huge chunks of the record sounded exactly like the latter day Magnum that fans adored, a few of the tracks took a bit more of a bold move, musically speaking. There were moments where the usual pomp gave way to a bigger rock sound, and on the lead single ‘Steppin’ Stones’, Magnum showed off an unexpectedly soulful edge, proving that the veteran rockers – although often working in a comfort zone – still had a couple of newer tricks up their collective sleeve. In addition, Bob Catley’s vocals sounded stronger than they had in a while. Although the global pandemic had set the band back in terms of promotion, the rest from touring had obviously been beneficial.
Author Archives: Real Gone
THE REAL GONE SINGLES BAR #33
Welcome back to the Real Gone Singles Bar! For our first SB feature of ’24, we’ve dug deeply into our inbox of mp3s and assorted goodies to bring you another round of quick fire entertainment in our usual style. You’ll find the usual variety, with a dose of melodic punk, some alt country, huge rock and even some progressive black metal to tempt you. With January traditionally being a little quieter for submissions, we’ve taken the opportunity to include a couple of older tunes here that didn’t get covered during the last weeks of 2023, but that doesn’t mean a dip in quality. After all, you can’t put a sell by date on great music! As always, if you feel you have something of interest that you feel would suit a future Singles Bar – or a full review – at Real Gone, please don’t hesitate to get in touch…
VARIOUS ARTISTS – You Can Walk Across It On The Grass: The Boutique Sounds Of Swinging London
The subsidiary labels within the Cherry Red family aren’t shy of mining the mod, soul and freakbeat archives in the name of a great compilation. The now defunct RPM issued a string of box sets, beginning with 2011’s ‘Looking Back’ and culminating with 2016’s ‘Looking Stateside’ which became a pleasingly comprehensive journey through an alternative 60s, and Strawberry Records’ similarly structured ‘Halcyon Days’ and its timely delivered follow up ‘I Love To See You Strut’ – issued in 2020 and 2022, respectively – proved equally essential.
THE REAL GONE SINGLES BAR: A NEW YEAR’S EVE LOCK IN 2023
After launching the Real Gone Singles Bar in June 2023, we found ourselves covering an even broader range of music than before. It became a natural home for anything that mightn’t see a follow up album, or music that, perhaps, might not lead to a full review. The popular feature also became an easy way to introduce people to new music, and our inbox became very busy. Naturally, by limiting the feature to eight tracks per week, not everything made the cut. In fairness, not everything deserved to, but we heard a lot of stuff that was too good to not share.
JOHN DUNBAR – What A Difference Indifference Makes
John Dunbar is a busy man. Between the beginning of 2020 and the end of 2023, he released two solo albums filled with retro pop, another two as a member of The John Sally Ride – a similar sounding pop outfit fond of humorous song titles (‘See Emily Work’, ‘Sheena Is A Prog Rocker’, ‘I Won’t Let Failure Go To My Head’) – and two more as Elvis Eno, exploring more experimental lo-fi work. Despite six albums and a bunch of one off singles appearing within a four year period, chances are, his name still isn’t familiar to you.