Over the years, MPF (Manchester Punk Festival) has been a brilliant showcase for hundreds of up and coming bands. Alongside a few name headliners, the event has been the best place to see alternative and punk artists in small venues as they make their mark on the DIY scene.
Previous years have seen sets from Propagandhi, Light Year, Wonk Unit, Chaser, Pizzatramp and countless others. The legendary Discharge had been confirmed to appear at the 2020 event, but the world had other ideas.
Ever since its launch as a not for profit label in 2021, Socks On Records has always conveyed a sense of community spirit. Members of Das Kapitans may well have been the instigators of Socks On and their band is the label’s most prolific act, but everyone who encounters the label becomes a member of their extended family. There’s no one-upmanship; no hierarchy – just a gathering of friends on a mission to make and share good music, DIY style.
This release really extends the Socks On ethos of sharing music in an altruistic way. It brings together over thirty tracks from various names who might not be familiar, and all monies earned from downloads will be donated to CPSL MIND, a mental health charity in Peterborough.
When Yngwie Malmsteen left Alcatrazz in 1984, the heavy metal titans found themselves in the position of having to find a new guitarist capable of filling some incredibly huge boots. Just as importantly, if reports are to be believed, they were looking for someone much less likely to punch vocalist Graham Bonnet in the face. A few hopefuls auditioned for the difficult role, one of which was a massively talented young man from Connecticut.
His name was Chris Impellitteri. Graham was rather keen to give Chris the job, but as history has shown, he was outvoted in favour of the now legendary Steve Vai. Impellitteri, in turn, formed his own eponymously named band, and with huge input from vocalist and songwriter Rob Rock, self-released a debut EP in 1987.
In the early 1970s, the rock world was dominated by men. Some of them wore androgynous outfits and lipstick, but guitar driven music was largely a male scene. There were exceptions, of course: Suzi Quatro – a musician for whom the idea of gender was less rigid – had hits on both sides of the Atlantic; the Wilson sisters scored great success with Heart; Fanny pioneered the “all female band”, and the rarely mentioned Birtha weren’t far behind.
The arrival of The Runaways in the mid 70s came like a lightning bolt. Here were five teenage girls, ready to make a huge noise and ready to flaunt a bucket’s worth of sexuality. Ostensibly a package deal put together by Kim Fowley, The Runaways weren’t just a girl band; they could really rock, and by straddling a sound somewhere between trashy hard rock and proto-punk, their brand of noise really struck a chord with the era. They were pioneers. Without them, there would be no Donnas, and possibly no Babes In Toyland or L7.
Welcome back to the Real Gone Singles Bar, the place where we explore the various individual mp3s that have landed in our inbox over the previous few weeks. This has become a popular feature for the site, and its disregard for genre restraints has ensured that a variety has kept it interesting. This week, we bring you a new track that unites a cult rock hero with a busy power pop figure; some great pop from a Scottish singer songwriter, and some massive metal sounds from Greece. As always, if you discover anything new you’ve enjoyed, come and tell us – we always value your feedback. Submissions for the Singles Bar are coming in by the dozen, but if you have something you think might work for us, don’t be afraid to get in touch.
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