KURT BAKER – After Party

Following the release of a couple of superb albums and a slew of EPs celebrating a classic late 70s/early 80s power pop sound, Kurt Baker relocated from Portland, Maine to Madrid. New horizons brought new inspirations and Baker joined pop punk/power pop band Bullet Proof Lovers and also formed a new band, The Kurt Baker Combo. Although the Combo still worshipped good old power pop, their sound was a little harder around the edges than the previous Kurt Baker Band, injecting Baker’s songwriting with a touch of garage rock. This was most obvious on the Combo’s second release – 2018’s ‘Let’s Go Wild’ – where a desire for fuzzy energies sometimes came at the expense of some great melodies.

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SHADOW PEOPLE – Washing In Soap Opera EP

Blending elements of metal, noise rock, art rock and pure sludge, Baton Rouge’s Shadow People bring a whole new meaning to the word “intense”. Contrasting sludgy riffs, grinding sounds and retching vocals against unexpected bursts of melody within three tracks that seem to blend into each other, their 2020 EP ‘Washing In Soap Opera’ is as a careening ten minute noise-fest. Its music is almost as frustrating and broken as the era in which it was created. …And yet, there’s something about this wanton ugliness that’s potentially brilliant.

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DELUXE EDITION DREAMLAND: Chris Rea – Tennis

Chris Rea’s extensive catalogue has never been given the credit it fully deserves. While many of his albums have remained available in various territories, only a few have been reissued in a deluxe format. In many cases, that’s not even because there isn’t a lot of non-album material. There are live shows sitting in Euro TV archives, which could be used for both audio and visual extras alongside various b-sides and other material. With a few of the bigger albums receiving 2CD editions in 2019, it would be a real treat to see Rea’s third album, 1980s ‘Tennis’, afforded an expanded reissue. Continue reading

STARDUST – Highway To Heartbreak

When Stardust appeared on the melodic rock scene in 2016, they managed to build a fanbase fairly quickly. Their self-released EP captured a likeable sound and by securing the legendary Michael Wagener – producer of classic albums by Skid Row, Warrant and White Lion – to bring the songs to life, the Hungarian band’s career seemed to get off to a better start than most. Fan enthusiasm brought them to the attention those long time champions of AOR/melodic rock, Frontiers Records, who quickly signed up Stardust for their full length debut.

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