Watch ‘Heavy Soul’, the new video from Rainbreakers

Rainbreakers are a hard-working blues rock band from Shrewsbury.  Over the past couple of years, they’ve released a couple of EPs and received a fair amount of press attention.

2018 has been good to the band so far, with a string of live shows helping to build their growing fan base.  Last month, they released a new single… ‘Heavy Soul’ is a hugely melodic rock track with a solid underscore of blues and – assuming you’ve not been acquainted yet – a great introduction to their work.

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BROCKLEY FOREST – Castaway EP

When Brockley Forest released their ‘Die Has Been Cast’ EP in 2015, it felt as if the band had reached a turning point. While the raw garage blues of their previous releases still provided the heart of their music, the EPs songs showed a leaner, meaner Forest – slightly more commercial without selling out; by providing bigger hooks on bigger songs, they really stretched their musical talents.  Following a long gap between releases, Brockley Forest’s welcome return with 2018’s ‘Castaway’ is a step forward yet again. The production values on these three songs are terrific. Far removed from a garage based labour of love, the material has as much punch as that Royal Blood LP you all love – even though there are better exponents of that style – and the choruses are more than sizable.

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MASK OF BEES – Reft EP

Mask of Bees are an experimental band from Manchester, proudly crossing musical boundaries and caring not for any kind of genre tagging. Their overall sound blends art rock with a metallic crunch and then gives that a massive send off with huge swathes of jazz fusion. Hearing them is an intense experience, almost as if bits of The Jesus Lizard got spliced with bits of TesseracT, Soft Machine and an old John Coltrane record.

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Van Morrison: Live In Düsseldorf 1998

Van Morrison is a legend.  Not only that, but he’s a prolific legend.
Between launching his solo career in 1967 and May 2018, he’s recorded a staggering 39 studio albums.  The last five of those have been released within a three year stretch.

While so many people are keen to view Van’s 70s work as the golden age, some of his later works are every bit as good as those famous early releases.  2012’s ‘Born To Sing: No Plan B’ and 2017’s ‘Roll With The Punches’ in particular find Morrison in particularly good voice, backed by a lot of blues based material.  Both are albums that far outshine anything any of Van’s potential peers – Dylan, Neil Young, Clapton – could muster during their twilight years.

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