At the tail end of 2020, The Inferno Doll made a long overdue return with the ‘Sacrifice’ EP. The music’s blend of gothic riffs, industrial twists and occasional black metal flourishes really showed a gift for pushing boundaries.
Chilean vocalist Laura Vargas is no stranger to the symphonic and gothic metal scenes. While she might not have reached “household name” status, she spent eight years as a member of Sacramento, eventually scoring support slots with Theatre of Tragedy and Within Temptation. After relocating to Canada, she formed her own theatrical art/music project The Inferno Doll, whose debut album (‘Dollmination’, 2015) fused gothic metal with striking imagery to tell the tale of demonic possession within a mannquin-like figure. After that somewhat dark release, all seemed to go quiet, but The Inferno Doll eventually re-emerged in 2019 and dropped various hints regarding the continuation of their haunting and twisted musical tales. An EP eventually emerged at the death of 2020 – long overdue, but certainly worth the wait.