On their 2022 release ‘Polar Night’, instrumentalists In The Ponds crammed a variety of musical moods into a very short playing time. Ranging from spooky, almost prog rock inspired echo driven guitar (‘Lonesome George’) to an atmospheric, David Lynch inflected ambience (‘Someone’s Always Watching’), and even supplying a nod to the distorted blues of The Groundhogs (‘Haruki On The Sand’), it was the kind of EP that created a great musical CV.
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THE MATINEE – Change Of Scene
The Matinee’s 2017 album ‘Dancing On Your Grave’ was a great record. Its eleven songs bounced between upbeat pop rock tunes, retro rockers and music with an obvious nod to Americana, but felt like a really cohesive listen. Between some great chorus hooks, a heartfelt vocal and some fine guitar work, it showed off a mature sounding band whose songs could’ve existed at any point between the 90s and the present.
THE REAL GONE SINGLES BAR #23
Welcome back to the Real Gone Singles Bar, the place where we explore some of the individual mp3s that have landed in our inbox over the previous few weeks. A popular feature, the mixed bag approach at the Singles Bar has often allowed for coverage of things that people wouldn’t necessarily associate with the site. The selection this time around is a little more rock based in places, but that doesn’t mean there aren’t a couple of interesting twists, and a jazzy, downtempo track definitely provides one of the best tunes. We present the return of Big River with a very melodic track, some brilliant pop, an interesting take on a classic band, and more besides.
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PORTABLE RADIO – Counting To Three
The self-titled debut album from Portable Radio was one of 2021’s more welcome surprises. Coming at the end of a year where most people not employed as a Conservative MP spent most of their time rattling around indoors, the British band’s brand of retro music hit like a little ray of sunshine, piercing through the gloom. Their big single ‘Should’ve Bounced’ – a tune loaded with stabbed pianos and chiming guitars – gave a good indication of the album’s finer wares with its infectious pop inspired by Jeff Lynne but, even deeper into a great record, the Portable Radio brand of retro pop held firm. With other tunes tapping into the same influences beloved by Teenage Fanclub, and material sounding like a marriage between The early 70s Hollies and the poppier end of Supergrass, the album offered something great for most lovers of AM radio inspired pop.
VOLUME – Requesting Permission To Land
Their chosen band name mightn’t stick out – and certainly isn’t search engine friendly – but if you should chance upon Volume, it’ll take all of four chords to get the measure of this stoner/retro metal band. Originally released in 2002, ‘Requesting Permission To Land’ didn’t get as much press attention as ‘…And The Circus Leaves Town’ by Kyuss a few years earlier, or the works of Orange Goblin and Fu Manchu, but its five tracks take as much of a classic approach. What’s more, Volume were also adept at revisiting the proto metal sounds of the late 60s and early 70s and injecting them with an even greater vigour, making their sole album as much about force as doom-laden weightiness. In short, for retro thrills, it’s great – the kind of thing that should have been picked up by Man’s Ruin Records (RIP), or championed by Josh Homme and been massive.