In 2023, Trashcan Sinatras frontman John Douglas released his long awaited solo debut. Rooted in acoustic based material, the eponymously named record allowed fans to experience a much more introspective performer. This follow up EP finds the musician branching out just a little – with the help of friends Boo Hewerdine, Eddi Reader and others – but the material still retains a very sophisticated singer-songwriter approach, which fans mightn’t associate with his better known band work.
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CURSE THE SON – Delirium
Sixteen years into their career, Curse The Son have unleashed a devastating work in ‘Delirium’. By taking many cues from classic stoner and doom bands and then adding their own brand of extra sludge, this fifth album from the New Haven heavyweights certainly doesn’t sell itself short in terms of riffs. The record’s general heaviness will be enough to win over a huge section of the metal community, but some already intense workouts take on new levels of darkness when the arrangements are peppered with some very bleak lyrical concerns.
UNEARTH – Bask In The Blood Of Our Demons EP
Unearth’s eighth release ‘The Wretched; The Ruinous’ presented fans with an uncompromising thirty six minutes worth of pure metal. The US metalcore band pulled out all the stops to deliver a truly heavy set which pulled together the strongest elements of their crossover sound. The album’s highlights really showed how broadly the band could apply their heaviness for mixed results: ‘Eradicator’ drew from the groove metal of Pantera’s ‘Far Beyond Driven’; the brilliant ‘Broken Arrow’ slowed down just enough to show off more of a timeless hardcore approach; ‘Dawn of The Militant’ applied angular rhythms against a slow and sludgy groove before dropping into some superb thrash passages, effectively showing off the full range of the band’s talents, and ‘Mother Betrayal’ even found time to drop melodic arpeggios and goth influenced vocal passages into something derived from classic Lamb of God. ‘TW;TR’ was one of 2023’s strongest metal discs – one of those records that offered fans of extreme sounds something great, no matter where they chose to drop in.
SOFTSUN – Daylight In The Dark
A new name for 2024, SoftSun are a doom-laden shoegaze/desert rock trio featuring a few familiar faces. Guitarist Gary Arce will be known to some as a member of both Yawning Man and Yawning Balch; vocalist Pia Isaksen is a member of Superlynx, and Dan Joeright is the drummer with Earth Moon Earth. Between them, they’ve created something that sounds different enough from their parent acts to make SoftSun an immediately effective side hustle.
KATE BURKART – Another Night EP
Kate Burkart’s 2024 release ‘Another Night’ comes almost a decade after her previous EP ‘Save Me A Seat’, but often shares a stylistic approach that makes the listener feel as if the singer songwriter has never really been away. On these five almost timeless sounding numbers, the performer’s mature voice really comes through, but just as importantly, the arrangements are strong. Three of the songs share a natural blend of Americana and rootsy sounds, along with a warm, almost bluesy guitar tone in a couple of places, which results in something rather satisfying despite any budgetary constraints.