DRONI EYE OMI – Liminal Mass

When a band opens their album with a track that clocks in at nearly half an hour, you know they aren’t messing around. When it happens to be the first release by an unfamiliar name, you have to wonder if the musicians involved aren’t contemplating career suicide. That said, ‘Chromosphere’ – the huge sound collage that opens the debut album from sonic experimentalists Droni Eye Omi – is absolutely superb.

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CHARLIE NIELAND – The Ocean Understands EP

He might not be a genuine household name, but Charlie Nieland has had a busy career. He’s written material with Rufus Wainwright, Scissor Sisters and Blondie, and produced a number of albums for some lesser known indie rock bands, but – familiar name or not – one look at his extensive credits on Discogs shows him to be a man in demand.

‘The Ocean Understands’, a four track EP released in June 2025, puts Nieland even more in the spotlight. The solo recording finds him playing a variety of instruments (everything except the drums, and a featured guitar on one track), as well as handling all vocals. The material really showcases someone with a broad array of talents, even at times where his own songwriting mightn’t aim for that immediate hit.

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THE ROCKERATI – Black Book EP

During the first half of 2025, The Rockerati made their mark on the rock underground with the help of two excellent singles. The first, ‘Analogue Again’ set a great pub rock sound in place; loaded with solid riffs and a melodic edge that called back to the likes of Rockpile, it showed how the Brighton based act valued great influences more than they valued the notion of perceived “coolness”. That school of thought went into overdrive when the band dropped a bunch of Quo-esque riffs into the great ‘Big Dog’; with a bigger sound in place, the track demonstrated how tough The Rockerati could sound with an increase of both power and volume, and how solid playing will often trump originality.

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CLEAN LINES – Nuisance EP

Clean Lines isn’t necessarily the best known name in punky circles, but the band have put in some hard yards on the live circuit in the US. They’ve shared stages with Me First & The Gimme Gimmes and The Kids, and have creative links with Geraldine Fibbers and Circle Jerks. They caught the attention of The Briefs’ vocalist Steve E. Nix, who eventually joined their musical ranks.

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Real Gone Presents: A Boston Round-Up, June 2025

Over the previous couple of months, the submissions for the popular Real Gone Singles Bar have been more than plentiful. It’s actually got to the point where we’re getting so much good stuff, it’s been almost impossible to keep on top of it all. When compiling a recent column, it came to our attention that we’d had a huge amount of submissions from Boston based bands. Since we were massive fans of albums produced by Paul Q. Kolderie & Sean Slade at Fort Apache back in the 90s and, in more recent times, our site has received regular support from a few Boston based bands, PR companies, labels – including the sadly missed Red On Red Records – it seemed to make sense to take some of these great tracks and highlight them in a feature of their own. The Singles Bar will continue as normal, of course…but this bunch of tracks, shared as a selection in its own right, features some great material. Please join us in giving a hearty shout out to a great city with a thriving music scene… As always, we hope you find something new to enjoy!

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