SHANNON CURTIS – 80s Kids

On 2024’s ‘Good To Me’, Shannon Curtis delivered ten slabs of synth pop that sounded so authentically 80s, you might even believe a few of the songs were rarities from the era. With the album released at a time where a lot of musicians appeared to be obsessed with the 90s, this even more retro sound hit like a musical ray of sunshine. At the album’s best, the bright sound – heavily reliant on unnatural sounding keys and a strong vocal – showcased some great choruses. The multi-voiced ‘Serenity’ could’ve been culled from an old teen film soundtrack; ‘Sweat & Butterflies’ worked a pulsing heart that had clearly been inspired by OMD’s ‘If You Leave’ and a couple of Fiction Factory numbers, and the title cut showcased a great contrast between big beats and a more sedate voice, ending the record in a slightly more thoughtful manner. Even with a couple of tunes adding slightly more of a light goth/dreampop reverb, this was a record that offered a lot of entertainment for the 80s obsessed listener.

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KURT BAKER – Undertow Afterglow / My Brave Face

Despite being a prolific artist, singer songwriter Kurt Baker experienced a creative lull in 2025. Due to a change in personal circumstances – spearheaded by a massive change of location and a divorce – over the course of the year, he only released one digital single, before bowing out with a contribution to Wicked Cool Records’ Xmas compilation. Eventually buoyed by new writing partnership, his big return with ‘Undertow Afterglow’ puts the Kurt Baker stamp on a new year – and effectively a new beginning – in record time, appearing barely a week into 2026.

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RAYON – Shopping / Running

Rayon’s ‘Colour’ album – released in October 2022 – presented twelve tracks of pleasingly angular indie/post rock throughout a vinyl friendly forty minutes. Although there were times when main man Eric Sabatino’s work couldn’t claim to be one hundred percent original, the best bits of that long player were hugely entertaining. The highlights really showed off a band who could work a great riff: ‘Canada’ attacked with a harsh guitar sound coupled with a funky bassline, sounding like a deep cut from XTC’s ‘Drums & Wires’ before introducing a faintly psychedelic vocal; ‘Come Along’ mixed classic indie rock riffs with a finely tuned sinister edge, occasionally sounding like Robyn Hitchcock fronting the early 80s Cure, and ‘Blue Nights’ applied a fierce jangle and contrasted that with a vocal that was far more attuned with a dream pop sound, creating something surprisingly effective.

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TOMBSTONES IN THEIR EYES – Under Dark Skies

Following 2024’s ‘Asylum Harbour’ – which featured a pair of very strong singles, ‘Mirror’ and ‘Gimme Some Pain’ – LA’s Tombstones In Their Eyes sound equally enthused on their sixth full length release ‘Under Dark Skies’. The record’s ten tracks take in some mighty riffs, mixing the huge sounds of shoegaze with the haziness of old school psych, adding a pinch of blues and a sprinkling of goth along the way, to create something that’s often very rewarding.

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ALREADY DEAD – I Think It’s Time To Leave… EP

The first new music from the Boston punks Already Dead in almost a year, the band’s 2025 EP ‘I Think It’s Time To Leave…’ is in danger of being over as soon as it’s begun. Packing five high octane numbers into a little over ten minutes, the release barely gives the listener time to catch their breath, let alone provide an ideal opportunity to take stock of what they’re hearing. In terms of blending the classic Ramonescore sound with some old school, sometimes very British sounding punky thrills, the material really hits the mark, though, regardless of the release’s obvious brevity.

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